Wind River (2017) Reviews

• A slow burning, provocative gem.

  Troy_Campbell2017-08-11

  There has been next to no fanfare for the release of this murder mystery. Which is surprising, considering the talent involved in front of the camera (Jeremy Renner, Elizabeth Olsen) and behind it (writer-director Taylor Sheridan). Fresh from joining the ranks of top-tiered screenwriters after the amazing one-two punch of Sicario and Hell or High Water, Sheridan continues his stellar run with a heart-wrenching study of loss and grief wrapped in a taut crime thriller narrative. Also having a crack at directing, Sheridan allows the snowy Wyoming setting to completely envelope the characters in a world that feels like it has no exits, both physically and emotionally. When this Native American community is hit with a homicide it feels like another tragedy in a long line of tragedies; their shock is replaced with deeper sorrow, their outrage is replaced with solemn defeat. Entering the scene like a fish out of water, Olsen's junior FBI agent Jane Banner must traverse the tricky cultural complexities if she's to understand the clues in front of her. Luckily she has Renner's local hunter Cory Lambert to assist, himself battling with a past family disaster. Renner and Olsen are both in terrific form, the former hiding his grief under a stoic veneer, the latter balancing big-city attitude with a genuine desire to find justice for the victim. Veteran character actor Gil Birmingham is also superb as a father unsure of how to deal with his earth-shattering loss. If this all sounds a bit heavy, well it is, but Sheridan's careful to inject a healthy dose of suspense and mild action to keep the drama gripping rather than overbearing; the finale in particular turns the movie on its head in an unpredictable but extremely effective manner. An intelligent, slow burning and provocative viewing that enthrals from start to finish, Wind River is an understated gem that deserves an audience.

• An Engrossing Murder Mystery That Respects Its Subject _ and Audience

  kckidjoseph-12017-09-16

  "Wind River" is a gripping murder mystery-thriller written and directed by Taylor Sheridan (Best Original Screenplay Oscar nominee for "Hell or High Water") starring Jeremy Renner, Elizabeth Olsen and Graham Greene, featuring an unusually strong supporting cast that includes many fine Native American actors. Renner and Olsen play a U.S. Fish and Wildlife Service tracker and an FBI agent, respectively, attempting to solve the murder of a young woman whose body is discovered by Renner under mysterious circumstances as he patrols the Wind River Indian Reservation in Wyoming. The film scrupulously avoids clichés and is tightly edited with nary a wasted moment, yet never feels rushed or artificial in performance or plot. Everyone and everything is there for a reason, and best of all, the audience is given credit for being able to keep up and connect the dots. The violence, which is absolutely necessary, is kept at a bare minimum as a narrative device, explaining and clarifying rather than assaulting the senses. Every character, even the most heinous, is portrayed as a fully developed human being rather than as stereotype. We learn how the Native American culture is victimized in a way that takes us inside their world and their souls, but the journey is skillfully handled and never heavy handed. The photography is perfectly rendered, celebrating the icy Wyoming scenery in a muted style consistent with the mood of the story. Renner, Olsen and Greene are excellent and believable, but in no small way this is an ensemble piece whose potency and effectiveness derive from the palpable passion and belief of everyone in front of and behind the camera. This is an engrossing story well worth your time and money, and kudos to everyone involved for having faith that a discerning audience will find and appreciate it.

• Suspenseful! A perfect thriller!

  Ramascreen2017-08-01

  The screenwriter who gave us "Sicario" and "Hell or High Water" has come back with "Wind River" which he also directed and I am now convinced more than ever that Taylor Sheridan is one of the best storytellers of our time. There's something about his thrillers that are just so cunning and sharp and profound, like a great American classic, even novelist Dennis Lehane probably couldn't come up with materials that are as skillfully played as this. And with "Wind River" Sheridan's personal artistry mission to do some effort to right the wrongs that the system has committed against the Native Americans, continues. The story is about a rookie FBI agent (Elizabeth Olsen) who teams up with a tracker/hunter (Jeremy Renner) with a tragic past in order to investigate the murder of a local girl on a remote Native American Reservation. Sheridan has tackled themes surrounding the Native Americans before but with this latest one, it's not so much that he's preaching about it but he ties it into this entire fabric of community where you sense the clash between outsiders and locals, between whites and natives, so there's a level of frustration about that arises from this murder investigation that brings up all kinds of cultural suspicions, on top of which there's also a game of jurisdictions. It's a complex yet cleverly woven thriller that starts out as a whodunit and evolves into a thirst for retribution. And the fact that it's set in a very cold harsh environment just adds to the film's chilling effect. In many ways, Elizabeth Olsen performs here like Jodie Foster's Clarice Starling where at some points you kinda know that Olsen's character may be out of her elements, but at the same time that factor actually gives her a good vantage point. Jeremy Renner plays his character like an old timer western hero who knows the ins and outs of everything, a man of few words but gets tough when needed. Their dynamic is not some kind of odd couple cop duo, this is more like each of them trying to prove themselves while bringing justice to the family of the unfortunate girl. And the way Sheridan crafts the mystery from a small radius to a much larger scheme is one that will have you hooked. "Wind River" is highly suspenseful, it's a perfect thriller. -- Rama's Screen --

• Renner's potrayal of a broken man who is keen on hunting any kinda predators, Sheridan's superb writing, the snowy landscape as another character makes this a must watch.

  Fella_shibby2017-12-17

  I saw this few days back on a Blu-ray. As an avid fan of Taylor Sheridan, was looking forward to this without watching the trailer. It is a very beautifully shot, well acted and distressing crime drama. The vast landscape becomes more than a vivid backdrop, it becomes a character in the film. Wind River is able to showcase Sheridans directing and storytelling strengths. From the dark border area (Sicario), to the scorching plains of Texas (Hell or ...) and to the frozen mountains in Wyoming in Wind river, the writer/director managed to make the landscape a character in the film. Jeremy Renner potrayed the role of a broken man who is keen on hunting the predators very well n he deserves an Oscar for his performance. The less said about the plot is better because one has to see this film rather than read about its plot. The film has a very strong social message. The films conclusion with the message was very horrifying n distressing.

• Heat to the Cold Sheridan's fantastic crime thrillers work beyond change in weather

  Equalizer162017-09-09

  After the southern heat of Hell or High Water, Taylor Sheridan gives us the cold wintery thriller Wind River. In the frosty Wind River Indian Reservation of Wyoming, the body an 18 year old Native American girl is discovered by Wildlife service agent Cory Lambett (Jeremy Renner). Lambett with his knowledge of the mountain assists foreign FBI agent Jane Banner (Elizabeth Olson) to track down the killer, but also his own personal reasons wants to find the killer in an attempt to wrestle his own demons. Inspired by true cases of missing native American girls, Wind River has cold hearted passion in its story-telling. A very melancholy murder mystery drama exploring grief and vengeance but also the neglect of the Native Americans in the mountain regions in the USA. During a time this week while I was pondering the significance of different crime thrillers, with also the approach of the The Snowman in November, Wind River is real important stand out. The film itself although is about a murder is more centred on the atmosphere and location. Repetitive vibes of a hellish land resonate throughout the film. This mostly breathed life by the chilly aerial shots of the cold mountain land, identifying misery through the snow breeze and wind (an atmospheric format that was similar expressed in Hell or High Water). The most haunting aspect is the character brought to Wind River by Nick Cave and Warren Elis eerie soundtrack, echoing the dark past of the freezing land. What leads us into the desolate mystery of Wind River is Jeremey Renner superb performance as the experienced hunter possessed by the past but also enriched with perception of his home land and its welcome. Renner very much appears as himself, however is a perfect casting choice with his neutral expression hiding his deeper emotions. Opposite is Elizabeth Olson, the most convincing FBI agent I've seen on screen for a while. But her city slicker style does not prepare her for the divergent law enforcement experience in the isolated Wyoming. These two leads are the perfect casting, with a enigmatic presence that makes you completely believe in them. While Wind River has deeper meaning at its centre, Sheridan knows how to thrill his audience in quiet sensational but violent sequences. Loud sound effects of the gun shots bring light to the silent landscape that the characters dwell, and present a sense of realism to the experience. Sheridan's third feature in his trilogy of modern American law enforcement, following, Sicario, Hell or High Water, has shown his strength in creating masterful crime thrillers with much to reflect about the real world. This capacity has also lead stronger confidence his potential prospects in directing a Bond film. 9.2/10