Weirdos (2016) Reviews

• Really good!

  owenbland-441042017-03-26

  I went with some friends and we all really liked it! Some great scenery around Nova Scotia, some scenes that I think we all can relate to that just feel like high school parties. A lot of those scenes you can really feel for the characters, it all felt very real, even the less pleasant stuff. Well worth seeing!

• Really impressive in its technical qualities

  Red_Identity2018-07-03

  The screenplay of the film is very good and admirable, I just wish it had captivated me a bit more to be able to call it great, because the technical aspects here really are amazing. The cinematography is incredibly impressive and has a very controlled look. The performances are also really really good.

• Weirdos

  cultfilmfan2017-04-15

  As a Canadian and an avid film watcher and lover, the last thing I want to see within the Canadian film industry and the films that are being released, are films that are made in Canada and may star Canadian actors and actresses, but essentially have the look and feel of an American film and in more ways than one is basically just a carbon copy of an American film. In my mind this shows no originality and is basically just another example of someone in the film world wanting to cash out and more, or less sell any artistic integrity they have and not use the beautiful landscapes, locations and things that make living in Canada great, but instead filming in big cities and trying to make a film from Canada look and feel like it is New York City, or some other big town in our big brother to the South. Thankfully over the years there have been people and organizations here in Canada that try to preserve Canadian films, talent and content such as The National Film Board of Canada, for one example. There have also been original Canadian television and film projects that are filmed here in Canada and look anything but being filmed in the states. Take the classic Canadian television series, The Beachcombers for a good example. Good stories and good acting and yet filmed completely in a logging town right on the water itself and featuring all Canadian actors. Nothing Americanized about it at all. There have also been some great examples of Canadian films showcasing our amazing country such as Atanarjuat: The Fast Runner, which was an Inuit film and filmed completely up North using Inuit people as actors and having a real and authentic feel to it and yet being a great film all the same. A lot of talent is coming out of Quebec these days such as the wonderful Xavier Dolan, but we need more talent all across Canada, which is why I am so proud and thankful of a film such as Weirdos here. A film that is uniquely Canadian and just an unique film all on it's own as well. The film takes place in the 1970's in Nova Scotia and a lot of the film has the characters either walking, or driving across the roads there, so you can see the beautiful landscapes as well as hearing some great Canadian music from that time period in the background as well. The film was shot in black and white which I personally think was an excellent choice to give the film the unique style and voice all of it's own. And did I mention that the cinematography is gorgeous and some of the best black and white cinematography I have seen in awhile? More directors definitely need to go back and utilize this because it is a much under-appreciated art form. The film also has all the elements of a coming of age comedy/drama, but without the usual things that would say make an American film of the same kind feel so cliché, or like something that has been done a thousand, or more times before. This one has the spirit of something like Hal Ashby's wonderful Harold and Maude, and yet it borrows some of those similar elements that made that film so unforgettable and great, but also wants to be it's own unique story and vision and this movie sets out and completely achieves that. The characters feel real to me in a story like this, especially the two leads and even though it takes place in the 1970's, I feel that these characters could have easily been from right here and right now because one of the truly commendable things about Weirdos, is in a sense it is a time capsule film of that time period, but the other great thing about it is that it could really fit any time period and transcends time and world events to make it seem fresh and new right now even though it took place 40 years ago. The screenplay here must have been a lot of fun to write as it equally was to watch because it is filled with such originality both in it's characters and showing people and their differences and eccentricities that don't make them weird perhaps, but shows them as who they are and really gives them a chance to shine. This isn't so much a film about weird people, but instead people who are finally given their chance to speak and be in the spotlight and I find that quite refreshing. Weirdos is one of the most inventive and original films not only in Canadian films, but worldwide in quite awhile and it is brought to life with some of the best talent imaginable. This is a highly recommended piece of work that like any good film, will grow on you as you watch it and with repeated viewings as well. Very good.

• Canadian Cinema at its Best

  sheena19592018-01-20

  Telling our own stories, avoiding the cliches--this is Canadian cinema at its best. Probably a bit slow for many movie goers, but heh, so was life then. Kids weren't monitored as much (no cell phones!) and we go up to a lot of stuff, most of which we don't want our kids to know. Coming out in seventies was possible, but still really tough. The kid in this movie was lucky, many weren't, but some managed it, brave kids that they were. According to my son kids don't even say "weirdos" anymore. Another word to avoid so as to not date one self.

• Gay teen flees to free-spirited mother.

  maurice_yacowar2017-05-02

  In 1976 Nova Scotia Canadians watch TV coverage of the US's Bicentennial Celebrations. "It's not you," the Canadian teens are admonished by the Cambodian landlord whose back bears the scars of the Khmer Rouge oppression. The kids know nothing about that outside world. They're confused enough about themselves and their puzzling physical and psychological changes. There's something of a hollowness to that American flash of patriotism, however, even in the 1976 setting. All the Presidents Men, the Nixon exposure, is running in the Sydney movie house. Meanwhile, Antigonish gets Mother Jugs and Speed. But that's not why Kit and his friend Alice fib to their respective parents and hitch-hike to Sydney. Kit wants to go live with his mother, mistaking her lunch invitation for an offer to move in. Alice wants to seduce him in hopes he won't move away. Kit is abetted by the spirit of Andy Warhol, who embodies and endorses the weirdness that ennobles the human species. There are several "weirdos" here. A boy trying to seduce Kit backs away when Alice approaches; the boy calls Kit a weirdo. The high schoolers in the car and at the beach party play at being wild and weird. The old drunk who tries to steal the cop car is an unrepentant weirdo from earlier time, still crazy after all those years. So are our heroes' parents, all apparently old hippies. Alice's father is a drunk who's trying to inveigle himself back into her mother's graces and bed. Kit's dad Dave is a social studies teacher declared cool by the skylarking teens. But Kit overheard him refer to the French teacher as a "fag." As he's trying to come to terms with this own homosexuality, Kit decides to go live with his freer-spirited mother. When he finds her dissolved into looniness he has to call dad to come get him. Once Dave hears his son's concern he apologizes for his insensitivity and by implication suggests a family life that will be as warm and cozy as those delicious views of Nova Scotia. The film closes on inter-generational comfort, Alice and Kit together as platonic friends and Dave and his mother dancing to Country & Western. The title refers equally to the adolescent issues of the teenagers and the scars still worn by the survivors of the freedoms of the '60s. The latter is a psychological contrast to the Cambodian's physical marks. Here it's not the sins but the spirit of freedom that passes from the parents to the children, the fertile weirdness of Warhol. It carries its own costs.