The Last House on the Left (2009) Reviews

• What more can you ask of a Reboot

  xJrobx2009-03-29

  I'll keep this short and sweet. This was gruesome and twistedly faithful to the original in spirit and effect. I totally expected to be the one tortured when watching, well I should have left my preconceived notions at the door. The acting was sharp, the plot devices made just enough sense that it never broke my disbelief and I admittedly had to briefly look away from some scenes. The setup was stellar and the ending did not disappoint. I give it a 7 but if it was possible I would have given it a 7.5. Good for the genre and great by comparison of other remakes. I would definitely suggest it to anyone that enjoys the genre.

• I haven't said this in a while: THIS IS BETTER THAN THE ORIGINAL

  Smells_Like_Cheese2009-03-22

  Let's face it, there are a lot of remakes, there are some good one's: The Thing, The Hills have Eyes, and The Texas Chainsaw Massacre. There are some average one's: House of Wax, House on Haunted Hill, and War of the Worlds. Then there are the bad one's: Halloween, The Fog, and Psycho. Last House on the Left, my parents had absolutely held me from the original movie, but when I became an adult I rented the movie and watched it by myself, I was just so curious what they were trying to hold me back from, I wasn't really shocked with the movie, I could see how it was gritty and brutal in the day, but after seeing movies like I spit on your grave, Hostel, Dirty Harry, Casino, etc, it just didn't really effect me. So I was actually looking forward to a remake of this just to see what they would do with the story and I have to say that they not only made it better, it was just a very great horror film that made me want to take 15 showers afterwards. Mari and her family are going on vacation. When they arrive at the house, Mari asks to sleep in the guest house instead of in the main house. Mari's brother, Ben, had died one year earlier, and the family are still trying to adjust to his absence. She finds a necklace he gave her and puts it on. She decides to ride into town to see her friend Paige. Mari's mother, Emma, is cautious, but her father, John, lets her go. Mari meets up with Paige at the store where Paige is employed. A young kid named Justin approaches the counter and asks for a pack of cigarettes, which Paige does not give to him due to his age. Justin says that if they join him at his motel room, he will give them marijuana. Paige agrees and sells him the cigarettes. They drive to Justin's motel room and Justin and Paige enter. Mari waits in the car but notices they are taking too long. She enters the room where she finds Justin and Paige on the bed getting high. She joins them and they decide to give Justin a makeover. They are interrupted by Krug, Sadie, and Francis. Krug explains that it is too risky to let Paige and Mari live. They decide to not only murder but rape the young girls. The gang goes to Mari's house not knowing that's where she's staying with her parents, her parents welcome the gang in thinking they got into a car accident. But Mari somehow survives and comes back home; her parents discover that the people they've been helping are the same people that just tried to murder their daughter and now it's time for justice. This is the movie that you cannot wait to see justice brought to these sleazebags, they were so disgusting, I was just screaming and cheering in the theater. Like the tag line said, if bad people hurt someone you love, how far would you go to hurt them back? If that was my daughter, you wouldn't wanna know the sick things I would've done to these slimy people. The thing that made this movie so horrific was how realistic it was. The rape scene doesn't show much but is one of the most graphic and disturbing in cinema, even my 25 year old boyfriend had to cover his eyes, he said he was just incredibly sick from it because he can't imagine the pain she was going through. The performances are on and the story is great. I would say this is one of the best remakes in years, this is not for the faint of heart though, but if you're curious about the remake, trust me, this was a very respectful movie of the original horror story of murder and revenge. 8/10

• Good remake that kept it's cruel nature

  freakinflax2009-03-13

  As a fan of the original 1972 version, I wasn't expecting a lot, but at the same time, with Wes being brought in as a producer, I felt it had to live up to some expectations. What I got was a fun yet torturous movie that had the audience with it the whole time. They were gasping, hollering, sighing, saddened, and later clapping, laughing and woo'ing. It really takes you for a ride from the first moment and only lets up briefly, only to take you back down again. While the original scores higher for "shock factor," this one still has plenty of gore and story. I'm not going to give anything away because I'm sure most of you know the story by the trailers, but overall this is an intense film that you won't forget anytime soon. If you know what happens, you'll be happy when the second half of the film picks up. If you have no idea, try to enjoy the ride as I'm sure you'll leave satisfied. A few people in my theater left before it ended, so if you feel sick or faintful, just keep repeating to yourself: it's only a movie, it's only a movie, it's only a movie...

• A genuinely effective thriller

  ametaphysicalshark2009-03-13

  The biggest problem with horror movies today, specifically major Hollywood productions, is that even more than romantic comedies and the like, it is treated by studios and directors as an entry level position. These aren't, after all, the big dramas or 'prestige' movies. The result is an endless barrage of derivative, uninteresting tripe, many of them remakes produced by the like of Michael Bay and directed by those attempting to get started in the industry. Why this is even more of a problem is because horror films and comedy films depend on one essential thing: timing. Those which fall in the category of 'suspense thrillers', those which don't really seek to scare as much as your average slasher, films like "The Last House on the Left", depend on atmosphere. They depend on the building of suspense and tension and dread, even when the outcome is insanely predictable. These films require a director who has talent with timing, with creating atmosphere, with building suspense, and most of the time, especially recently (sure, there have always been awful horror films, but there was a time when studios financed some respectable films at least), the directors who take on such projects seem either incapable or uninterested in doing all they can to make the film work. "The Last House on the Left" is a 're-imagining' of Wes Craven's accidental classic from 1972. That film displays Craven's potential, but while certain sequences are compelling it is cheap, clumsy, has a bizarrely chirpy bluegrass score, some awful acting (and some good acting), and the movie's biggest flaw: a Benny Hill-like slapstick subplot. Still, the movie worked. It worked precisely because Craven managed to create that atmosphere. That feel. The biggest fear I had going into this 're-imagining' is that the director Dennis Iliadis would turn out to be another Marcus Nispel, coming off his one previous film from 2004, "Hardcore", a film about prostitutes I had never heard about. I needn't have worried. The film is far from perfect, but Iliadis' direction is one of the film's strongest points. Along with the excellent photography the film creates a dark, foreboding, grimy atmosphere of horror, and wisely cuts out the original film's slapstick, and also fixes the score: replacing it with gorgeous, haunting compositions which occasionally give way to guitars, but thankfully not too often. Iliadis uses hand-held camera as well as anyone, not over-doing it at all, but filming everything with a stark sort of clarity, and he finds a surprisingly effective rhythm for the film which keeps it from ever being mundane. The director is one to watch out for in the horror and thriller genres. Perhaps his most impressive achievement in the film is the incredibly tasteful and brutally disturbing rape scene. The film, like the original, avoids the pornographic nature of many rape-revenge thrillers, such as "I Spit on Your Grave" or for a more recent example the 'unofficial' remake of "The Last House on the Left" from 2005: "Chaos", which was so gleefully vicious it became sickening, not effectively disturbing. Michael Phillips said it best: "The way director Iliadis shapes the key misery-inducing sequence, there's no hype or slickness or attempt to make the rape palatable or visually "dynamic." For that you have to go see Watchmen." The performances help. The only weak one is Riki Lindhome as Sadie, the murderous Krug's girlfriend. She takes her top off more than once for the movie's unneeded but inevitable nudity, but does little else. Garret Dillahunt is great as Krug and the rest of the cast good too, especially Monica Potter as Emma, the raped Mary's mother. I won't spoil the changes to the story for you but it does a lot to separate itself from the original. It's not a straight remake and the changes work. The film's ultimate triumph is its intimacy. Iliadis succeeds in putting you in Mary's place and in her parents' place. Not one who succumbs much to vengeful thinking, I was convinced by the film that I'd have done the same things were I in the place of Mary's father, John, played by Tony Goldwyn. The film's major flaw is the very last scene, a nonsensical moment belonging more in a Stuart Gordon film than this one. Up to that point, in spite of some mediocre sequences, the film is a triumph of atmosphere and style, and is genuinely well-written. If you're looking for fun or an intellectually stimulating film look elsewhere. For a shockingly, shockingly good rape-revenge thriller look no further. This movie works. It doesn't only stand head and shoulders above every other recent horror remake (and certainly the ones out so far in 2009), but it is in a whole other league when compared to most of the genre films Hollywood forces down our throats.

• Pretty good, for a re-make

  alanmora2009-03-23

  If you've ever read any of my other reviews you know how I feel personally about re-makes. Most horror fans feel the same way I do (yet we still watch these things!) so needless to say I went into this movie expecting to be disappointed. I was actually pleasantly surprised by how well this one was. Yes there are the usual cases of character name changes, scene and dialog changes and complete story line changes for no apparent reason but the basic premise that made the original film so creepy was somehow still retained. The major story line change in this one has been discussed in previous reviews and revolves around main character Mari (I won't reveal any major changes for the benefit of those who haven't seen it yet) and yes I was EXTREMELY disappointed with these changes but as I said I went into the film expecting to be let down so this helped to soften the blow. This version of "Last House on the Left" has a considerable amount of added gore sequences as well but they are not overly done or thrown in for no apparent reason other than shock value (as was the case in the unofficial 'Last House on the Left' re-make 'Chaos' directed by David DeFalco). Nowadays there really is no way to re-create the grainy, almost documentary like filming style of the original which is one of the main elements that added to the general feel of the film, but these filmmakers did an exceptional job of making the viewer curl in disgust at the actions of the villains and cheer and applaud the violence that befalls them. If you enjoyed the original you will most likely enjoy this one as well...just make sure you watch it and avoid the aforementioned "Chaos".