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ACTOR
Marc-André GrondinEllen BarkinFamke JanssenEmilie de Ravin
DIRECTOR
Jean-Paul Salomé
SYNOPSICS
The Chameleon (2010) is a English,French,Spanish movie. Jean-Paul Salomé has directed this movie. Marc-André Grondin,Ellen Barkin,Famke Janssen,Emilie de Ravin are the starring of this movie. It was released in 2010. The Chameleon (2010) is considered one of the best Biography,Crime,Drama movie in India and around the world.
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The Chameleon (2010) Reviews
An intriguing case made to a less intriguing movie
"The Chameleon" is roughly based on the case of the disappearance of Nicholas Barclay, and the impostor Frederic Bourdin. The movie stays reasonably close to the facts, though there are some mayor things changed that IMO was totally unnecessary. At the same time, more could have been done with other things. I am on purpose gonna keep this all pretty vague; as I do not want to spoil anything. If you want to know about the real case, google on it. It is a very interesting thing to do. I would definitely have liked to have seen more background about Frederic. The case of Nicholas wasn't the first time he imposed as a missing child, neither was it the last time. As if the whole story about Nicholas wasn't bizarre enough, it gets more and more bizarre if you read up on Bourdin. He truly deserves the name Chameleon; it is incredible how good this guy is at languages and in blending in. I do understand that the movie's focus was on only one of his crimes, but I think a bit more history would have made it all even more absurd. Now, you almost feel at least a bit pity for Bourdin, but that should not happen. After all, the guy was/is a very disturbed man who didn't give a *beep* about the feelings of his victims. The overall acting was not very good. Famke Janssen made the best of it and steals the scenes when she comes in, but I was unfortunately pretty unconvinced by the lead character. The way the story unfolds was just not good enough to convince, and the characters way too shallow. Many things are there in potential, but somehow it just doesn't work. It could have been an 'edge of your seat' thriller or drama, but it simply isn't. Throughout the whole story, it just lacks something. An other reviewer used the word 'dull', and I think that's quite a good description. All in all; an intriguing case made to a less intriguing movie. (Ps: An interesting little fact; Bourdin himself worked as a creative consultant for this movie. )
Festival des Films du Monde, 31 August 2010
I have seen this movie yesterday and the director went on to ask that we post reviews of his movie on this very site during the Q&A, so I shall oblige. The heart of the problem seem to be that his vision was rejected by the producers and that the final cut done by the producers is such a disgrace that he is going around in festivals to show his own cut. When I asked him if or when the movie would be released in North-America, he answered that it would most likely go directly to DVD, which is a shame cause it really was a tense, effective thriller, faithful to the real events it depict in a stylistically gorgeous mastery. It is a psychological thriller with great actors and a subtly photographed scenery of the deep south, in the down and dirty poor neighborhood of the drugged and drunk underclass. Of course, it isn't really uplifting, but the characters are real people playing out their desperation. The narrative is well constructed and keep you interested through out, especially in the case you had no idea about the event it portrays, you'll get drawn to it only through the sheer magnetism of the central character, who also happen to be despicable in many ways, like everyone else around him. So, let's hope you'll get a chance to see this, the way it was intended to be seen. The director's cut wasn't longish or uselessly shocking, one part that was deleted involved the main character shaving his whole body in the first scene. Perhaps, for the prude and easily upset, it could be disturbing, but isn't that key to building tension in a thriller, to disturb the audience. This first scene should be in the movie, cause it is key to the psychology of the main character. Seeing a grown man shave the hair off his chest shouldn't be cause for concern, especially these days when many men are doing it to follow a trend that made hairy men undesirable. It's a surprising scene, as it is something I never seen depicted on screen, but I don't believe it would offend neither men nor women. There is no actual nudity and very little violence in this movie. To conclude, if you have a chance and it is playing in a festival near you, try to see it and review it too. I believe it should get to be seen and get a proper distribution. It's a solid thriller that wasn't just meant to do the festival circuit.
Thuddingly Dull
CHAMELEON, we are told at the beginning of this film, is based on a true story about a French lad who disguises himself as other people as a way of gaining attention and 'love' which is apparently missing in his life as a near orphan. Written by Natalie Carter and writer/director Jean-Paul Salomé it misses the opportunity to use a factual story and transpose it to the screen in such a way that we care enough about the characters to become involved in the unfolding of this charade. Unfortunately the writing and the casting and directing work against this and the result is a surprisingly uninvolving, fairly boring tale. Nicholas Barclay (Marc-André Grondin) has been missing since age 13, for reasons unclear to the town's people in Baton Rouge. LA. Nicholas shows up in Spain after an auto accident, is treated for PTSD and is mutely amnesic until he suddenly talks and lets the hospital people know that he is Nicholas Barclay, a missing person. He states he was kidnapped and forced into a child prostitution ring that involved rape, abuse and torture - the reasons he gives for his lack of memory. Nicholas's sister Kathy (Emilie de Ravin) spends her last money to fly to France to pick up her lost brother and return him 'home' - to his chain-smoking depressed mother Kimberly (Ellen Barkin in a surprisingly monotone, phoned-in performance), Kathy's husband Brian (Brian Geraghty) and his sociopathic brother Brendan (Nick Stahl). Nicholas's identity is not clear to his family, except for his sister Kathy who offers compassion and fights for Nicholas' rights: the others doubt that their Nicholas is alive because of events they know to be true. The FBI in the persons of Tory Kittles and Famke Janssen investigate, doubting that Nicholas is who he says he is. After a dysfunctional attempt to relate to most of his family, his story starts to unravel and the true story of what happened to Nicholas starts to emerge: 'Nicholas' is Frédéric Bourdin, who after having plundered all the centers for runaway minors and delinquents in Europe, even though he has come of age, now passes himself off as Nicholas Barclay, shaves his body hair, and attempts to a carry off another 'chameleon caper' in the US. The cinematic aspects of the film fail to make the story involving: the colors are so washed out that it appears to be made on cheap film, the story is disjointed with such scenes as Nicholas shaving his body hair really adding little to the tale, the surprisingly dull performance by Ellen Barkin is a shock, and Marc-André Grondin is simply not up to making us realize the potential of this fascinating story. Famke Janssen and Brian Geraghty make the most of the roles they are given, but otherwise the cast is unremarkable. Grady Harp
disappointing Ammuture
La Chameléon – The Chameleon – TRASH IT (C) The movie is based upon the true life of European impostor Frédéric Bourdin. He has been in more than 100 houses all over the Europe pretending as their missing sons. His reason for living with different families is not because he wants to rob or hurt them but he just want to seek "Love and Affection". The movie takes place when he caught first time pretending to be teen missing child in taxes, USA in age 25. The premise of the movie is really interesting but poor direction and weak screenplay made it completely mediocre and sloppy. The director never knew whether he wanted this movie to be a family drama or a thriller. Marc-Andre Grondin was good but lacked proper direction as times he was sweet and at times he seemed psychopath. Emilie De Ravin, Famke Jensen and Brian Geraghty did a fine job. Nick Stahl and Ellen Berkin performance was over the top. On the whole, it's very mediocre and doesn't do justice to the story.
An acquired taste movie
I found "The Chameleon" a somewhat difficult movie to critique. It's the true story of a young man that lives his life either through the fictitious characters that he creates or through real people whose identities he assumes. The movie centers on one such event in his life where he assumes the identity of a mother's long missing son. When he is reunited with this acquired Louisiana family,he ends up getting more than he bargained for. The mother is a chain smoking drug addict. The sister is guilt ridden over not having protected the real brother prior to his disappearance. The step brother is abusive,threatening and possibly a murderer. Of course,they don't know that he's really not their long lost relative ..or do they. Each of them,in their own different twisted way,seem to need him and he,them. So,the truth really doesn't matter. Meanwhile,there are two F.B.I. agents who are suspicious of the impostor,one of which has her own dark secret and reason for investigating the case. You have interesting characters here and very good performances by everyone. Moreover,it's presented very effectively in a realistic gritty manner. That said,this movie will not appeal to everyone and probably not to most. Why? It's as if you walked into a theater after the movie started and left before it ended. What you see is a snapshot into these character's lives .. and it's done very well. However,you have no idea how the characters got to the point they're at and you're given no answers at the end. I suppose that it could be best categorized as a good art house movie.