SYNOPSICS
Parker (2013) is a English movie. Taylor Hackford has directed this movie. Jason Statham,Jennifer Lopez,Michael Chiklis,Nick Nolte are the starring of this movie. It was released in 2013. Parker (2013) is considered one of the best Action,Crime,Thriller movie in India and around the world.
Parker is a thief who has an unusual code. He doesn't steal from the poor and hurt innocent people. He is asked to join four other guys on a job. They pull it off flawlessly. They tell Parker that what they got can help them set up another job which will net them much more. But Parker doesn't want to join them and asks for his share. But they need it all so they try to kill him. They dispose of his body but someone finds him--he is still alive--and takes him to the hospital. After recovering he sets out to get back at the ones who tried to kill him, another one of his codes. Despite being told that they are working for a known mobster which he was not aware of, he still wants to go after them. He learns where they are and poses as a wealthy Texan looking to buy a house. So he hires a real estate agent, Leslie Rogers to show him around. He is actually trying to find out where they're holed up. And when he finds it, he sets out on his plan to get them. But when they learn he is alive, ...
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Parker (2013) Reviews
Statham Doing What He Does Best - Kick Ass
Many people say the same things about Jason Statham, He's a typecast or he doesn't do anything different. Which is partly true, but he is good as an action star and in my opinion hes a better actor than what some say. I don't think he does get enough credit seeing how he got into movies almost by accident. Anyways Parker has a good revenge/crime story its about a professional thief who lives by a simple code, don't steal from people who can't afford it and don't hurt people who don't deserve it. After a successful heist our man is left for dead by his partners. The movie has good action throughout. lots of hand to hand combat, and violent ones at that. It also has a better than usual cast and director for a statham action movie (Good villains + hot leading lady). Overall, I got what I was expecting for $10 as a fan of Jason Statham and would recommend it for a good popcorn flick. 7/10
Crime thriller which keeps its schizophrenia under control
Robber with morals Parker (Jason Statham), shot and left for dead, wants only to recover his share and teach people how to behave properly. Having tracked those who owe him money down to Palm Beach, he poses as a Texan businessman in order to get a real estate agent to help him identify the property they may be using as a base. He may not have reckoned with the real estate agent having her own agenda, and the crew who owe him money having high powered connections... This crime caper movie starts off firing on all cylinders. It opens as a robbery gets under way and then stays in full action mode for the best part of an hour. Then Parker arrives in Palm Beach, encounters Jennifer Lopez's hard-up real estate agent, and something really weird happens. You can feel that, at this point, the film badly wants to become a comedy. It never does - it remains a violent, hard boiled crime thriller throughout, but there is always this strong urge for it to be something lighter and frothier whenever Lopez is around. For all that, I enjoyed it especially given that it didn't always do what I expected it to. It was, as always, a mistake to get Statham to do accents - as well as a generic American accent, he is saddled with having to have a go at a Texan accent, and accordingly he wanders around all over the place - US tough guy, Texas, and (mostly) London, sometimes all in the same sentence. The action sequences are well staged (Statham exhibits powers of recovery on a par with Wolverine's healing factor), with one especially satisfying moment during a fight which produced an audible, "Oof!" from the cinema audience. Good fun, if a little odd in places.
Every other Jason Statham film ever made
Parker, a.k.a. "Every other Jason Statham film ever...but this time with a ten gallon". I won't be going in a detailed review, because if you've seen one Jason Statham flick you've seen every Jason Statham flick. Don't believe me? Here are some common trends I've noticed across his other films also present in this one: 1. Obligatory scene where he runs away from the hospital, minutes after waking up from being shot, beaten and/or mauled by a bear - check. 2. Semi-anonymous protagonist that is just a ridiculous badass for no apparent reason - check. 3. Whatever dubious activities he takes part in are explained to the viewer as honorable in a "everyone gets dirty" kind of way, because you know, JS has a code he adheres to and that automatically makes crime acceptable - check. 4. Women are magnetically compelled to his junk by his mere presence - check. Fast and fancy cars, because. (No I didn't forget the rest of the sentence) - check. 5.Walking around seemingly unfazed with broken appendages, ribs, collar bones, multiple gunshot wounds, knife stabbing wounds and/or bear mace - check. All and all it's an okayish film, if you've never seen another Jason Statham flick before, but at this point it's just stupid to keep casting him in the same role, in the same film, over and over. It's obvious he's not a brilliant actor, but he has a lot more to offer than what is currently being churned out. Speaking of acting don't get me started on Jeniffer Lopez - her acting is just wince-inducing. Apparently the director thought the same and cast her in the film as a walking butt to centre shots around in the time Jason is off screen, presumably to make JS' male fans feel less awkward and have an excuse about having an erection throughout the movie, because we all know how unsure of themselves "bros" are. It's a completely forgettable film you will probably regret paying actual real world money to see, because you will feel like you've seen this film at least 4 other times.
Captures the essence of the "Parker" character
I've read some of Richard Stark (a.k.a. Donald Westlake) 'Parker' books and this movie pretty much captures the essence of the character. This is not Shakespeare folks. The morality is pretty black and white in these books and Taylor Hackford and the screenwriter captures what this character is about very well. The only thing I found awkward in this movie were the flashbacks in the first third -- but that's a screenplay structure issue, not directing issue. Acting-wise, thought everyone did very well with their roles. No, there's not a lot of depth to anyone, except for perhaps Jennifer Lopez's character who makes it clear she's stuck in a dead-end life post-divorce and needs an out. All in all, a very good, entertaining crime thriller. I won't remember this years from now, but it entertained me and kept my attention throughout. And aside from all this, Stratham makes for one good badass! If you like this, definitely check out "The Bank Job" that he starred in: he really shows his acting chops in that one.
Statham Makes a Great Parker
As a fan of Donald Westlake's writing -- he did the Parker books under the pseudonym of Richard Stark -- I have long been bemused by the inability of film makers to adapt his work for the screen. Westlake wrote for the screen himself, and the Parker books are nothing but action and plot. Yes, there's character, but you figure it out from what Parker and his associates do. With this, the fourth attempt to film a Parker novel, the film makers have found a practical if surprising choice for the title role. Jason Statham is not an actor of great oratorical powers, but he is a great physical actor, and he moves constantly like an angry tiger in a cage. The choice of a caper which is set largely in Palm Beach, with its artificial, pointless display of wealth and no other reason for existence is the perfect backdrop for the ferocity of Parker in his battle with Michael Chiklis' Melander; Jennifer Lopez' clueless Leslie, who gets caught up without understanding what is going on, gives the audience a good point of view. Director Taylor Hackford is not a great director, but he is a highly competent one. Sixty years ago he would have been a major director for a studio, setting and working in the house style. Give him a story he can work with and he will hit all the notes, efficiently and effectively, and he has done so here. If the Parker of this movie is different from the Parker of the books, a bit more philosophical (although it comes down, in the end, to the tigerish "Do what I tell you and I will devour you last") we need to remember that a movie is not a book. This is not Donald Westlake's Parker, nor even the Parker I see when I read the books. However, it's still a very good one and worth your attention.