May (2002) Reviews

• Do Yourself A Favor... Rent This Movie

  Pasafist2003-08-03

  Have you ever tried to figure out what something is when your eyes are closed? You grab something round its cool and smooth to the touch. It feels solid so it's not some kind of Nerf ball or anything. Here you are standing in the middle of a room clutching something and you can't quite tell what it is. The object was an apple, but that's not the point. MAY the new film by first time director Lucky McKee is just that kind of movie. At first maybe it's a romance, then again maybe it's a thriller, hmm.. Maybe it's some kind of comedy, light hearted or dark. At first glance you might just think it's a horror film. But May doesn't aspire to labels, it lives in that world beyond them and that's what works and doesn't work for a film like this. MAY is one of those movies like Mullholland Drive, From Dusk 'Til Dawn, or Femme Fatale. There is a moment in the film that will either grab you and pull you in, or turn you off and produces nothing but loathing. For me that moment came as the blind kids are well.. I don't think I want to share that sequence with you, but for me it worked. MAY tells the story of a young women named May (Angela Bettis, Girl Interrupted) who seems really sweet on the outside, with just a touch of crazy attached. She had an overbearing mother (Merle Kennedy, Bubble Boy) who wanted her little girl to be perfect. It's just too bad she needed to wear an eye patch to correct a lazy eye. The kids in school all laughed and called her a pirate. To comfort the girl or make her crazy the film doesn't really say, May's mother gives her a prized possession, a freaky looking doll that has to stay in pristine condition in a glass box. Somehow May survives this weird childhood and grows up to be stable but a little nuts. She falls for a guy with perfect hands (Jeremy Sisto, Wrong Turn) and a girl she works with (Anna Faris, Scary Movie) falls for her. Everything is perfect until these people turn their back on May, and well that's when the fun begins.. Angela Bettis is excellent; she is really beautiful, really vulnerable, and really expressive without doing much. She gives May this quality that is understated and yet still intense. I like how she says more with one look than lots of silly dialogue. She very much reminded me of a female Travis Bickle. She has a longing for what she can not have and is dealing with it the only way she know how. Like in TAXI DRIVER, there is a moment when May is on the phone with Adam (the Sisto character) and he wants nothing to do with her anymore. Anyone else would have gotten the point. But not May and so when the realization comes, just as when Travis Bickle was dumped by Betsey something inside both of them snaps. Another bright spot is Anna Faris. Why she pigeonholed herself in those stupid comedies is beyond me. She is excellent as May's lesbian workmate. She is bright and spunky and really funny. I'd love to see her do some more legitimate acting work. Hopefully this is the kind of film that she could use to get better roles. Who knows!!! Director McKee makes it look easy. He has crafted a fascinating look into the eyes of a crazy person, by doing what few films can. He allows us to see that part of ourselves that is manifested in May. We've all at one time or another been treated like crap, made fun of, been ridiculed, and maybe some of us have tried to go over the deep end. I felt pity for May even if I shouldn't have. This is a powerful movie, and one of the best I've seen all year. If Hollywood ever got off its rear end and decided that a film like MAY deserved to be shown at the same multiplex as FROM JUSTIN TO KELLY maybe their would be better quality films out there that the general market could consume. Until then it will probably only be discovered by lovers of film. I guess that's not so bad. There are probably others out there that could find fault in a film like MAY. It's that kind of cinema, either you love it or your hate it. There is not much middle ground. But do yourself a favor, go and rent this movie.

• I can't believe it took me so long to see this

  razorbladeetches2006-02-10

  I remember hearing the buzz on this movie awhile back but never rented it. We have a bad snow storm headed our way so I figured I'd rent a few movies and stay indoors. Rented this on a whim and I was really amazed! You pretty much have a good idea where the movie is going, but there are a lot of truly strange and touching moments along the way. Angela Bettis is such a fantastic actress! Her jittery mannerisms are near perfect. And towards the end she becomes more self-assured and confident when she starts down her dark path. It almost makes me want to rent the TV version of Carrie that she started in .... well, almost. The film has a lot of heart, it's surprisingly emotional.

• Beautiful

  hoppz2005-03-01

  I cant say much about this movie other than its wonderfully strange. It has an appeal that is not only beautiful but scary and intelligent and never asks the viewer to understand whats going on fully it just guides you through the story with a slightly sick feeling in your stomach because deep down in some small way you know that you relate to the central character even if its just for a passing moment. This is not a run of the mill slasher type horror movie and explores the characters more than most in the genre especially the first relationship between may and the man with "perfect hands" i wouldn't rent the movie if your looking for a no brainer but if you want a horror with a little more substance and just the right amount of dark humour this is the one for you.

• This is one demented, sad little girl; and one brilliant film.

  Elswet2004-01-02

  I bemoan horribly low-budget movies, but this production is proof positive that money does not make the movie. I am still so disturbed by this effort that I am finding it hard to find the words... This movie was absolute brilliance. It was creatively written, realistically portrayed, inspirationally directed, and disturbingly sad and dark at the same time. Angela Bettis is astounding as May. May was born with a lazy eye which caused her have to wear an eye patch. Her mother, a neurotically judgmental woman, raised May to believe that her only choice for friendship was to either hide her differences, or withdraw into her own fantasy. But there are more differences within May than even her mother could see, and after May realizes that people are not perfect, she goes to any and all lengths to make herself seen. This is one of the darkest, saddest, most disturbing movies I have EVER seen. Bittersweet and truly mad. It rates a full 10/10 on the "B" scale. That's an 8.9/10 from... the Fiend :.

• Make Sure You Rent A Comedy...For Afterward!

  cchase2003-08-09

  Some movies use gore to distinguish themselves from other horror movies in a unique way, and boy, do they ever succeed. DEAD-ALIVE, EVIL DEAD, RE-ANIMATOR. Others, rather than settle for OTT gore, try to creep you out with old-school tactics that wriggle under your skin into places that are anything but comfortable...places that you only visit in your dreams. THE OTHERS, THE SIXTH SENSE and SIGNS are those kinds of films. And then you get those rarities...those exceptional films that are not for everyone, that manage to be both creepy and gory at the same time, in a way that's not quite easily classifiable, and so they are never considered "mainstream" by mass audiences in the multiplexes, or critics into selling sound-bites rather than writing decent reviews. Films like TOURIST TRAP, THE FUNHOUSE, George Romero's MARTIN, ALICE, SWEET ALICE, SISTERS and SILENT SCREAM are some prime examples. To this list, we can now add MAY. The less you know about this film going in, the more shocking the denoument is. And even those who have heard quite a bit about it, shouldn't be too quick to make assumptions. MAY goes in a direction that most films of this genre hint at, but never commit to. The result is a tale alternating between twisted tenderness and tremendous terror, like nothing you've seen in a long while. And in the true tradition of creepy/gory/blackly comic films, there's no middle of the road with this one. You will love it or absolutely hate it, but either way, you will not walk away from it unaffected. First-time writer/director McKee has seen to that, and then some. Angela Bettis may need some serious therapy, following up her role in the CARRIE TV remake with this one. I'd be tempted to call it a pattern, since May does share a lot of similarities with Carrie White; the overprotective, overbearing mothers, the role of societal outcast set at an early age. But that's where the similarities end. Where Carrie's weapon of choice was her soon-to-be-not-so-latent telekinetic powers, May's power lies in her very deceptive talent to appear shy, docile, reclusive and weird, but supposedly "harmless." Obviously lacking in the social interaction department, she still has a quality about her that elicits our empathy and sympathy. The characters she meets in the story feel the same way and...well, you have to see what happens to belive it. Indie faves Jeremy Sisto (SIX FEET UNDER), Anna Faris (the SCARY MOVIE series) and James Duval (A RIVER MADE TO DROWN IN) round out the principal cast. Not to mention May's first 'friend' that serves as a catalyst for the story...a doll given her by her mother, which may have you swearing off dolls for the rest of your life! I'm not going to give away the main plot, leaving that to other reviewers and their assessments. I will say this: if your horror movies usually have to be series sequels with a number plastered in front of them, MAY might be too much imaginative derangement for you to handle. But if you're in the mood for something completely different, then rent it NOW, by all means. Just make sure you have a good, stupid comedy to take your mind off of it afterward. Trust me on this; even if it's DUDE, WHERE'S MY CAR? for the fifteenth time, TAKE IT. You'll feel...well, maybe a little better after watching this.