Le retour du héros (2018) Reviews

• Good indeed

  thessa2018-02-18

  Fresh, funny, entertaining, with a couple of twists you wouldn't expect. And the acting is good.

• Very good!

  conall-wylde2018-02-16

  At least, a good movie that I've seen from head to toe without a second of boreness, and with a stupid grin on my face. I'm tired of all those formated movies, where you know the end from the first image on, because it's so conventional and obvious, because you've seen it a thousand times already... Here, nothing of the sort. A funny story, a perfect interpretation, a cunning ending... No, really, it's been a long time since I had seen a movie that good. I'll see it again with pleasure !

• Great comedy, superb acting by the leads, weak last 10 minutes

  adrian-437672018-05-19

  LE RETOUR DU HÉROS turned out far better than I had expected. Director Laurent Tirard is an unknown to me, but he does a competent job and the film generally flows, punctuated by some exceedingly funny moments, and others which reflect keen observation of human nature. In addition, despite its palaces and smartly dressed people, the action and dialogue are firmly 21st Century. One of the highlights is the returning hero, played by Jean Dujardin, looking dirty and fallen from grace, accidentally spits on a passing baby. Dujardin, an Oscar winner with THE ARTIST, is in good form but it is Mélanie Laurent who steals the show with her intelligent eyes, beautiful face, and impeccably timed delivery, at times delightfully dry, at others quite ebullient. The exaggerated accounts of Dujardin's "bravery," and the way Laurent lifts or deflates them, according to her interests, are a real pleasure to watch. I think the film should have ended with the marriage, the last 5-10 mins are the weakest, but by then I felt I had had my money's worth. 8/10

• Very entertaining, funny and bizzare

  DVR_Brale2018-07-08

  I haven't seen more original movie in a long time! it seems to me that no one can beat French cinematography when it comes to that. Most of their movies I have seen are quaint but very entertaining and this one is not an exception. This is a parody set in the early 19th century with Jean Dujardin (Oscar winner) playing ignominious war deserter who finds himself very comfortable when surrounded with casual acquaintances who believe he is actually a war hero. And the reason why they believe that is rather peculiar and has to be kept a secret at all cost. This is most I can tell you without ruining your experience. If you're in for a good laugh, entertaining narrative and pretty solid acting check it out with some friends.

• Funny French period comedy with excellent interplay from the two brilliant leads

  Red-Barracuda2018-06-27

  Period dramas are not usually my thing to be perfectly honest and when I read that this movie may in fact be 'swashbuckling' I began to get very worried and hitherto horrifying suppressed memories of Johnny Depp pretending to be Keith Richards in a pirate hat came rushing back to me. So, it came as a great relief and surprise to discover that this film is not really swashbuckling in the least and features no characters pretending to be Bill Wyman while sporting a Bicorne hat. What it actually is, is in fact a rather successfully funny period comedy. The story basically boils down to a French army captain who goes off to war in Austria but neglects to subsequently send letters to his bride-to-be. This leads to her sister surreptitiously writing fake letters pretending to be him with ever-increasing lies and exaggerations. The problems start when this man returns as a vagabond after having deserted his regiment, leading to him adopting the fake heroic persona created for him by the sister, only increasing the tension between them as a consequence. This one works in a large part on account of the acting performances from the two leads Jean Dujardin and Mélanie Laurent, who are both major French movie stars. Both of them are quite excellent and funny in their roles, with terrific chemistry. The script is definitely amusing and channels the early 19th century by way of 2018, where at one-point Laurent complains about a sexist comment with the line 'it isn't the Dark Ages, this is 1812!'. So, there is much great verbal interplay between the two leads but pleasingly, the film is not afraid to throw in the odd visual gag too, such as where Dujardin hilariously spits into a baby's carriage. Towards the end, there is an injection of morose realism with a well-acted dinner scene, where Dujardin for once details the true nature of his war experiences. But it has to be said, for the vast majority of the time, this one is very much for laughs. The beautiful period detail and costuming only adds a nice dose of colour and production value to proceedings too. But, the most important factor is that this is a very successfully engaging and funny bit of French comedy.