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Hukkle (2002)

Hukkle (2002)

GENRESCrime,Mystery,Drama
LANGHungarian,Czech
ACTOR
Ferenc BandiJózsefné RáczJózsef FarkasFerenc Nagy
DIRECTOR
György Pálfi

SYNOPSICS

Hukkle (2002) is a Hungarian,Czech movie. György Pálfi has directed this movie. Ferenc Bandi,Józsefné Rácz,József Farkas,Ferenc Nagy are the starring of this movie. It was released in 2002. Hukkle (2002) is considered one of the best Crime,Mystery,Drama movie in India and around the world.

Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary - an old man with hiccups, a shepherdess and her sheep, an old woman who may or may not be up to no good, some folk-singers at a wedding, etc. While most of the film is a series of vignettes, there is a sinister and often barely perceptible subplot involving murder.

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Hukkle (2002) Reviews

  • speechless movie to make you speechless

    jozsefbiro2002-11-25

    The life of a small and poor Transdanubian village is presented in "the movie of noises". Dead and live matter, plants, animals and human beings are all shown as part of a greater unity. Noise is everything here: wind and water, cars and carriages, pigs, cats and moles, human activities like preparing food in the kitchen or the beat of sewing machines in a workshop are all equally important in the well composed symphony of noises. As a consequence, human actors do not speak: more precisely they occasionally do but we cannot hear what they say and their speech is just part of the noise. As the wonderfully photographed scenes advance in a slow pace, a dark and sad human ballad unfolds. The seemingly idyllic pictures hide a sick and hopeless local society where men are mostly useless and unemployed, where wives poison their husband (and accidentally others) and where all this is accepted as a fact of life. The story ends with the desperate expression of the local policeman who - although he is aware of all this - cannot decide what to do as practically all women (including his mother) is involved in the murders. This is indeed a very strong movie, especially if you consider that it is the debut of a young director. The style, the visual and musical language is innovative and captures the viewer. I am not sure that the extreme story (the series of the murders) is really in place, perhaps a simpler, more down-to-earth story would have been a better choice, although I accept that the contrast of the dark and shocking story and the idyllic pictures adds extra and needed spice to the film. In summary, this is in the "must" category. If you have a chance, go and see it!

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  • A triumph of minimalism

    slake092005-02-12

    This film challenges the idea that we need dialogue to define human interaction, or even interaction between humans, animals and the environment. There simply is no dialogue, just a bit of murmuring in the background and some singing near the end. It may sound boring, but isn't because you are constantly wondering what will happen next. The movie covers the life of a small Hungarian village during the course of, more or less, one day. You see the people, the animals, underground, underwater, in the air, everything. Camera angles are exploited relentlessly to show every little thing, from a car door being unlocked to a fish striking at a swimming frog. Because of the lack of dialoge, many things are up to the viewer's interpretation. One person may come up with a completely different view of what happened in the movie than another, even if they were watching it together. I watched this with my girlfriend, the red-haired queen of late night cinema, and we had a terrific argument over our differing opinions on what exactly had transpired in the movie. During the argument, she seized a burning stick from the fireplace and commenced beating me with it to emphasize her point, thereby proving the supremacy of a piece of wood over well-constructed film criticism. This film should be seen by anyone who enjoys experimental film in any way, or simply wants to see something different but not boring. It is not over-repetitive, nor is it slow moving in any way. I applaud the director who can not only conceive of such a movie, but execute it in an interesting and watchable way.

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  • Ingenious film sans dialogue

    amzo2003-04-28

    There is something very mesmorizing about the rythmic hiccuping of an old man and the shots of pastoral Hungary. But that is not all the film is about. This debut film by Gyorgy Palfi hopefully is the first of many great films. At first this film may seem like a documentary about daily life in a small village, yet it becomes much more, and if you don't pay attention, you may miss the underlying story of a murder mystery. Also, the contrast of country life and technology is shown subtly. At our showing of Hukkle at the SF International Film Festival, we were lucky enough to have the director present and he answered questions about the film. Though this film is fiction, the underlying occurences actually happened in a small village in Hungary in the 1900s. Wonderful cinematography, beautiful scenery, unique sounds, and an original idea all contribute to making this film awe-inspiring.

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  • Wow. Great film.

    plaidpotato2003-06-02

    It's hard to describe this film. It's quite unique. The closest I can compare it to are maybe the Cremaster films of Mathew Barney, but it's really something all of its own. Hukkle is kind of a symphony of sights and sounds, without any real dialogue. It's just rhythms and patterns and cause and effect, and it's very very cool. Often funny, often disturbing, always fascinating. It's sort of like a nature documentary, with humans as just one of the subjects, just one part of the ecosystem. And underneath it all, there's a strange murder mystery. I saw this film as part of the Seattle International Film Festival. I hope it gets a wider release, because I'd like to see it again. I want to work out some of the details that I missed the first time through.

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  • hypnotic

    insomnia2003-07-11

    The setting for this most unsettling of films from 27 year old director, Gyorgy Palfi, is a tiny village somewhere in Hungary. The scene is one of bucolic boredom - at least that's what you might think, if you don't pay attention. We see an old man sitting outside his house: he has the hiccups. We see a girl feeding a dog while listening to music through a headset. Men play a game of skittles. A man herds a pig down a street. Woman busily at work in a clothing factory. A husband and wife and their children, sit down to lunch. A mole burrows, and hens peck for worms. Palfi's camera lovingly observes these rituals of everyday life: farm machinery, insects at work, flowers blossoming, a lone jet fighter screams overhead. Pigs mate, meals are carefully prepared, then hungrily consumed. A body lays rotting on the bottom of a lake, while above, a couple fish for their dinner. A cat dies of poison meant for humans. People die. Funerals are held. There is a serial killer about. There is no dialogue, but the soundtrack teems with a veritable chorus of machinery whirring, bees humming, pigs grunting, moles scratching. Never does one's attention flag during the film's economical 75 minutes running time. This is one 'out of the box', allright. 7 out of 10

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