SYNOPSICS
Hjärtat (2018) is a Swedish movie. Fanni Metelius has directed this movie. Fanni Metelius,Ahmed Berhan,Daniella Mir,Leona Axelsen are the starring of this movie. It was released in 2018. Hjärtat (2018) is considered one of the best Drama movie in India and around the world.
Mika and Tesfay. She: a photographer. He: a musician. Both up-and-coming. The first love. But an invisible conflict, an unnameable shame, stirs between their sheets. An insidious power game is in play, with its rules changing like music beats at the parties in Gothenburg, Stockholm and Ibiza. Behind closed doors and beautifying filters lies a raw reality where Mika's control over her mind and body is at stake. But Mika rips apart relationship prejudices and explores what really makes our pulses quicken in matters of the modern heart.
Hjärtat (2018) Reviews
Modern, honest, and very well made
A modern-day love story that's told in a very non-Hollywoody nor typically Swedish-made way - thank Bog! It's very lucid at the same time as being dreamy. I draw parallels to both "Eternal Sunshine of The Spotless Mind" in a sense (although VERY slightly), as well as Andrew Haigh's "Weekend". This film gets a lot of points out of feeling like an honest portrayal of how a relationship actually works. There are very, very few platitudes and droll moments here, if any. Metelius deserves a handful of awards for this film, not at least for having written, directed, starred, and edited it. Also, notably, this film features a LOT of women who have made this film, making it kind of serve as a shut-up moment for people who somehow think women can't make film. All in all, this is a film that I think would have made people like Michel de Montaigne and Antonioni proud. It's human, well-made, paced in an excellent way, and just very good.
Meaningless
Why did Metelius inflict this nihilistic ugly decadence on audiences? This movie is a punkish assault on . the senses.
A game changer which will break you free
I don't believe in love but this movie made me doubt. And that is for me a reason good enough to put in the category of art. Because art is there to disturb, to make us doubt, feel and verify. But there is more. This movie is a game changer in so strongly influenced by Hollywood scene of love stories. It's nothing like productions from Hollywood on both formal (hand-held shooting at moments, long still close-ups) and storyline level. There is no drama so typical for American movies (fighting, shouting, cheating on each other, etc.) and the problems it deliberates on are very different from those which American cinematography loves to identify and explore. Those problems are actually difficult to identify and work on. And even though they seem infantile, so does the way characters react to them, two main characters display unexpected maturity in how they try to deal with them, how they talk to each other, in a calm manner, always willing to actively listen. Thanks to that, even though the movie is harsh as the relationship between the lovers is not an easy one, it evokes peace, is soothing to watch. Watching Mika and Tesfay being so wise and understanding towards each other gives us a chance to reflect on the world around with better understanding and concord. People play games, especially when it comes to romantic life. We know that and Hollywood productions don't let us forget. Metelius shows us in her movie that choosing to act differently is possible. Being open and frank doesn't necessarily mean we will get hurt. Being authentic doesn't makes us vulnerable. And being vulnerable won't cause us pain. On the contrary, it all is a key to break ourselves free. Do not watch the trailer though as it's like of an another movie.