Enid (2009) Reviews

• Enid Blyton fans stay away

  AvinashPatalay2010-04-22

  I have been an avid Enid Blyton fan all my childhood. Like me if you have been one too, and happen to watch "Enid" the first thing that happens is morality kicks in. You feel betrayed, robbed of the childhood fondness and unknowing partaken to support the evil Enid Blyton was in real life. You would think life would have been better off not having watched it in first place, leaving the uncontaminated innocence as it should be and to narrate the Enid Blyton tales to your grand children. Alas truth is stranger than fiction. Nonetheless, playing the devils' advocate - I still feel I should give due credit to Enid Blyton for all that magical adventures I have been during my childhood. The fond memories of Famous Five and Secret Seven are too strong to be dusted off. For whatever she was in personal life, that was her prerogative. I hardly paid any attention about it in my childhood so why should I now? Enid had ghosts of her own but prefers to live in her own wonderland, and this was brilliantly brought to life on the screen. Helena Bonham Carter put her life and soul into breathing life to the character of "Enid Blyton". I always thought Tim Burton mentoring her success, but clearly she can stand tall for herself. Mathew Macfadyen and Denis Lawson provide adequate support.

• Effective character portrayal

  Gordon-112010-03-25

  This film is about the life of the famous and prolific author Enid Blyton, who wrote over 750 children books. "Enid" is very powerful in portraying the character of Enid Blyton. Helena Bonham Carter portrays Enid Blyton to be a detached, phlegmatic, rude and deceitful hypocrite. This portrayal is very powerful, and I do hate Enid so much for her unloving ways towards her family. It is so effective, I feel so sorry for the husband and her children. The production is also of great quality, with high standards of costumes, sets and cinematography. I used to pride myself for having read all the Famous Five books. If this portrayal of Enid Blyton's life is accurate, that I think I cannot put my hands on an Enid Blyton book again.

• Sumptuous, absorbing and well performed biographical drama about one of my favourite childhood authors

  TheLittleSongbird2010-03-30

  When I was a child, I absolutely adored Enid Blyton's books; like Beatrix Potter's simple but charming, whimsical and beautifully illustrated stories, her books were full of characters I could relate to(ie. Silky from the Magic Faraway Tree stories), magical or exciting adventures and moments where I laughed and cried. At 17, I still have the utmost respect for her work, and while it was flawed, I liked this biographical drama. One definite plus was the way it was filmed, it was shot in a very sumptuous visual style that was most suitable. The costumes were ravishing, the scenery was breathtaking and the makeup was immaculate. The music score had parts that were a) haunting, b) poignant and c) hypnotic, the same effect that a minimalist score would have. I also liked the embedded references to her books, some as Enid sat at her typewriter, the script was well above average and the ending was somewhat moving. The acting is very well done. Both Matthew Macfadyen and Dennis Lawson turned in great work as Hugh and Kenneth, and to some extent I felt sorry for both their characters; Hugh because of the way Enid treated him and Kenneth because he was seemingly oblivious to what Enid was really like. Helena Bonham Carter looked beautiful and gave a wonderful performance. If I were to be honest though I prefer her more passionate and headstrong characters in A Room with a View and Howards End. It is here though where the flaws of this drama come. I think it was more to do with how she was written than how she was acted, but somehow I wasn't sure whether Enid was really that one-dimensional, here she is quite hypocritical and insensitive, then again it may be just me. Another problem if not so significant was that I felt some of the earlier scenes, particularly the scenes where Enid is a child, were a tad rushed. Overall, I generally liked this biographical drama, not perfect in my opinion but worth watching. 8/10 Bethany Cox

• Surprisingly Absorbing

  torriejtaylor2009-11-21

  I began watching this quite by accident and became so absorbed in Helena Bonham Carters performance it was impossible to turn it off. Helena Bonham Carter completely absorbs the role of Enid to such an extent it seems that she has been taken over by her. Enid Blyton is portrayed as self absorbed, selfish and a terrible mother which is quite true in reality, although some scenes have been added purely for the narrative. After having two children she becomes more absorbed in the lives of the children who write to her and love her books. She needs the reassurance of being idolised by these children who know nothing about her more than she cares for her own daughters. Her husband Hugh is driven to drink and another woman by her complete self absorbed behaviour and blatant disregard for him now he has served his purpose and been the one to have published her books. She meets another man and begins an affair with him, a doctor called Kenneth Darrell Waters. She asks her first husband for a divorce, ignoring her own adultery and using the children as a bargaining tool. He agrees on the understanding he can see the children whenever he wants and Enid initially agrees. She slowly begins to cut him out of her children's lives by destroying letters he sends them and saying the children are out when he telephones. When her youngest challenges her Enid accuses her of lying and simply send her off to boarding school. This is a very good film, even for people who are not fans of Enid Blyton's, purely for Helena Bonham Carter's breathtaking performance. I would highly recommend this to people.

• Prize Bitch

  JamesHitchcock2010-01-15

  Quite by chance, British television recently showed on the same night biopics about two famous female children's authors of the early twentieth century, "Miss Potter" about Beatrix Potter and "Enid" about her younger contemporary Enid Blyton. I must admit that I never liked either of them when I was a child, although this had nothing to do with any prejudice against female writers; I continued to enjoy the works of E. Nesbit even after discovering that the "E" stood for "Edith", and I loved the historical novels of Rosemary Sutcliffe. Beatrix Potter's books, however, always struck me as twee and babyish, and as for Blyton I found her works dull and formulaic. (OK, I probably didn't use the word "formulaic" in those days, but when you had read one you had read them all. All 753 of them). I also disliked the preachy, moralistic strain in Blyton's works. In this film Blyton is played by Helena Bonham Carter, although there is no physical resemblance between them. All the photographs I have seen of Blyton show her as a severe-looking, unattractive woman, whereas Bonham Carter, in her early forties, is as lovely as she ever was. Helena, of course, was once Britain's reigning Queen of Period Drama, although she has now abdicated that particular crown in favour of Keira Knightley, with Carey Mulligan as heiress presumptive. "Enid" might appear to represent a return to the sort of role Helena was playing twenty years ago, but in fact the title character here is very different to the sweet young heroines she played in films like "Lady Jane" or "A Room with a View". As in the "Harry Potter" series, where she plays the evil Bellatrix Lestrange, she gets to play a villainess. The portrayal of Enid Blyton is this film is a remorselessly negative one. She is shown as snobbish and ruthlessly ambitious, caring for little except her own financial success. She is cold and unfeeling to her first husband, Hugh Pollock, to whom she is unfaithful. When during the war he leaves to take up an important command, she complains bitterly that he is putting his duty to his country before her. She poses as a lover of children, but neglects her own daughters Gillian and Imogen. She wants little to do with her mother and her two brothers. When she wants to marry her lover, a doctor named Kenneth Darrell Waters, she decides that she will divorce Hugh on the grounds of his (non-existent) adultery rather than allowing him to divorce her, and expects him to oblige her wishes. (There was a curious convention during the first half of the twentieth century that it was morally worse for a wife to cheat on her husband than vice versa; a woman who had been the guilty party in a divorce case would be forever branded as a harlot. Rather surprisingly, the English courts, which in other contexts held strictly to the maxim "the truth, the whole truth and nothing but the truth", were prepared to turn a blind eye to the vast amount of perjured evidence that was manufactured to uphold the legal fiction that no married woman was ever guilty of adultery). Indeed, the only thing that seems to upset Enid is the rumour that her books are ghost-written. (This was a persistent rumour during her lifetime, largely because people could not believe that one woman could be so prolific. Today, it seems to be generally accepted that she did indeed pen every book that bears her name). Bonham Carter is a very talented actress, and her performance here is a good one, but it never becomes a really great one. Indeed, the script never gives her the chance to give a great performance, because the portrait of Blyton is so negative and one-dimensional, never allowing her any good qualities except an immense capacity for hard work. There are also good contributions from Matthew Macfadyen and Denis Lawson as Blyton's two husbands. Hugh Pollock was nine years older then his wife, whereas Macfadyen is in fact eight years younger than Bonham Carter, so the make-up department also deserve credit for making him seem credibly middle-aged. Another weakness of the film is that the early scenes were very rushed. In the space of a few minutes Enid goes from an Edwardian schoolgirl to a married, middle-aged author with two children in the 1930s. One of the film's theories is that Blyton's emotional difficulties in later life were the result of her coming from a broken home after her father, whom she idolised, left her mother, so it is unfortunate that her early life was not examined in greater detail. I never met Enid Blyton- she died when I was a young child- so for all I know she might have been every bit as unpleasant as the character portrayed here. I just wondered why the film-makers bothered to make a biopic of someone they obviously regarded as a prize bitch. 6/10