SYNOPSICS
Brother's Keeper (1992) is a English movie. Joe Berlinger,Bruce Sinofsky has directed this movie. Delbert Ward,Roscoe Ward,Lyman Ward,Walt Geisler are the starring of this movie. It was released in 1992. Brother's Keeper (1992) is considered one of the best Documentary,Crime,Mystery movie in India and around the world.
This documentary by Joe Berlinger and Bruce Sinofsky details the murder trial of Delbert Ward. Delbert's of a family of 4 brothers (the other 3 being Roscoe, Lyman and William - Bill, for short), working as semi-literate farmers, and living together in isolation in a ramshackle shack, until William's death. The subsequent police investigation and medical examiner's autopsy suggested Bill may not have died from natural causes, and Delbert was arrested on charges of second-degree murder. Under questioning by police, Delbert appears to have waived his rights and signed a confession, but, it seems he might not have been competent, and was coerced into doing so. The film explores possible motives for the crime, from mercy-killing (Bill was ill at the time), to progressively more outré hypotheses. It also shows how residents of the rural community of Munnsville, NY rallied to the support of one of their own (residents previously considered the Wards as social outcasts), against what they ...
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Brother's Keeper (1992) Reviews
10/10
In a simple way this is just an "us and them" story, with the hardworking small town folk being treated like buffoons by the big, mean, well-groomed city justice people. But Berlinger and Sinofsky are far more talented than that, and their film ends up being one of the most human films I've ever seen in terms of their generosity to their subjects. It's generous because they don't put their views into the film, they don't decide how we should view the allegations, but at the same time don't restrict themselves from becoming somewhat involved in these brothers' lives. At first we're inclined to look down on these brothers -- they rarely bathe, they're not educated, they can hardly hear what the documentarians say to them. They're completely unselfconscious. Our natural reaction is to place ourselves above them. But the filmmakers' greatness is in how within about half an hour we find ourselves connected to them as equals. In fact, we notice how philosophical they can be, maybe without realizing it -- without being treated like simpleminded saints. The directors give us a view of the townspeople, too, the Ward brother supporters, many of which are quite articulate themselves. (One elderly gentleman, a hard man from the outside, is surprisingly forward-thinking, when it's speculated that the brothers may have had an incestuous relationship, and he uses the word "gay" rather than the expected offensive term, and refers to the justice people as "narrow minded," and how whatever kind of relationship the bothers had, sexual or not, it should not have any bearing on the case.) There's one startling description of the brothers' love for one another, that if indeed one of the brothers did kill the other, it was in the same way he would have killed a sick and dying cow, paralyzed after giving birth. (There's one horrifying scene where a pig is killed that isn't quite as lovely.) The communal, familial way in which the filmmakers interact with the brothers is exactly the same way these townspeople interact with one another. The construction of the film is just perfect for the entire film. It's uncomfortable without being cruel, it's friendly without being cloying, it's dark and disturbing without seeming phony. When joyful fiddle music plays after a scene, it's never mocking the way it would be in another film. (And one of the greatest scenes in the film is an image of a ragged man with his cows, and some very, very haunting violin music by Jay Ungar and Molly Mason, whose entire score is outstanding, and anticipates "Fargo.") When the trial takes place, we're implicated because we don't know the truth. By this point we're so invested in these brothers that when one of them is on the bench, shaking and terrified from nervousness -- these brothers just don't have this kind of human contact -- the filmmakers have completely earned our tears. It's not a sentimental moment, it's as horrifying as the scene of the pig being killed. You feel as if the judicial system is raping this man of his dignity. This is a masterpiece. 10/10
Class review
We are a class of 8 that live in the town where the movie is filmed. We watched the movie and have gone over articles about the Ward brothers. The movie was riveting and very interesting. We weren't even born when this took place. Some of us had heard stories from our parents and grandparents and for the rest of the class this was the first time we heard about it. We feel the town has changed but the people are still the same. Even though the Ward brothers have passed on, their legacy still remains. They are still topics of conversations. We did not like it when Lyman was on the stand and having a nervous breakdown. Half the class feels he is not guilty and the other half are unsure. We are glad we got to see this film and read the stories.
touching documentary about murder in a small town
This well made documentary involving the murder trial of an illiterate farmer in upstate New York is about as well made as they come. Delbert Ward, a simple farmer who could hardly read, is accused of killing his brother, Bill, in his sleep. Motives for the crime ranged from 'mercy killing' (his brother was sick at the time) to even the suggestion of a sex crime (the brothers shared the same bed all their lives and never had girlfriends). Delbert signed a confession but claims the police made him sign and agree to certain things that weren't true just so he can go home. When the charges were made the whole town of Munnsville, NY, came to Delberts side to defend him and even got money together to release him on bail. This film is an interesting look into the lives of simple people being confronted with 'big city' police and attorney tactics. Even after winning some awards from big film festivals no one bought the film so the filmmakers self-distributed the movie themselves, taking it from theater to theater. It is now one of the most successful self-distributed films of all time. It now has distribution and is well praised. Good Stuff!
Munnsville Horror
This incursion into the private lives of rural people that turn public by exposition in the media had an eerie effect on me. It was a subjective reaction to a real story that has nothing sinister about it, but I was deeply distressed and somehow frightened by the realization of how some people still live isolated from the world, and in unhealthy conditions, while at the same time being in touch with a community that finds them eccentric but is ignorant of their dysfunctionality. The disturbing story of the four Ward brothers, farmers who lived like hermits in a shack until old age, is material for a Gothic novel or a psychological thriller. When one brother dies in 1990, and his younger brother Delbert is arrested for murder, the "Munnsville horror" begins, manipulated by the media while the community defends the accused. For their opera prima, directors Berlinger and Sinofsky spent more than a year with the case. The result was highly rewarding.
Poetic in its delivery
This film was not made to be entertaining, as far as I can tell. That is not an indictment of the film; it is an indictment of the biggest reason people go to see films. As I watched this film, I was transported into another place. I presume that place is where the filmmakers wanted me to go. It was not a "fun" or "exciting" place. It was simply a place where I could be and feel otherwise than I am and do right now. I live within bicycle riding distance of the location of the events in this film, yet I got closer than I ever will to them through the craftsmanship of the filmmakers. The music, the imagery, and the way the story was presented combined to provide me with a notable experience. This story is now part of me. Thanks to the filmmakers.