SYNOPSICS
Birdman or (The Unexpected Virtue of Ignorance) (2014) is a English movie. Alejandro G. Iñárritu has directed this movie. Michael Keaton,Zach Galifianakis,Edward Norton,Andrea Riseborough are the starring of this movie. It was released in 2014. Birdman or (The Unexpected Virtue of Ignorance) (2014) is considered one of the best Comedy,Drama movie in India and around the world.
Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented ...
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Birdman or (The Unexpected Virtue of Ignorance) (2014) Reviews
It's satire people!
I have to say I am shocked and how many bad reviews I have seen on this site for this movie. It seems to me that the majority of moviegoers who have chosen to review here are only capable of viewing a movie at face value. This movie is clearly a satirical look at Hollywood and the constant need to remain relevant in the entertainment industry. I will admit that the film does appear unnecessarily "artsy" in places, but some Hollywood actors love being unnecessarily artsy as they think it gives them depth. That was the entire point of this film, for Hollywood to turn the camera on itself and expose all of it's own crap. What I took from this film is what I have always felt about Hollywood, which is also what I love about it. Actors are inherently insecure, which is why they choose to be in an industry where there is a need for constant approval. The actors who are worth their salt risk everything to entertain...us. For that they will forever have my respect. Definitely worth watching and worthy of it's Best Picture Oscar.
True Definition Of A Masterpiece
Whilst viewing 'Birdman', I spent the first hour of the film trying to decipher my emotions and opinions towards it, what I was watching was a weird, yet wonderful work of art. Truly though, 'Birdman' is a technical masterpiece. Michael Keaton has generally been undermined as an actor (despite a few notable roles as Batman or Beetlejuice) and has instead faced Hollywood picking more acclaimed and popular actors, 'Birdman' however might just be his ticket to an Oscar nomination, and possibly even a win, his performance is mesmerising. Alejandro González Iñárritu has created a truly spectacular character study that arguably features this year's strongest acting performances, alongside a well- executed script, booming soundtrack and a monumental achievement with cinematography from Emmanuel Lubezki in which he attempts a Hitchcockian approach, reminiscent of 'Rope', and displays the story through a seemingly single and unbroken sweeping shot. This is the true definition of a masterpiece.
The Definition of a Masterpiece
I don't know how to start a movie review off, seeing as I've never written one. I feel my meager rating out-of-ten is enough information to tell those interested what I think of a particular movie. Birdman, however, is the exception. I understand I'm an absolute stranger. Who gives a damn about what I have to think? My only hope is that after reading one fan's fanatic praise for Birdman, you will go and see it. In the interest of not over-hyping this movie (which many will feel I'm about to do), I will say it's nothing short of utterly amazing. Every aspect of the film is masterfully crafted and executed. Emmanuel Lubezki's cinematography only exemplifies this. The brilliant choice of always having the camera rolling lets the viewer see what happens before and after any given event. This added information creates a realism unknown to nearly every other movie ever made. What better way to capture the raw emotion and awkward stumbling of an angry outburst at your father than to show the immediate reaction of the ranter following her outburst; you get to see the anger slowly fade from her face as the reality of what she said sets in. Details like this are so often lost and these often- lost, immersive subtleties are what make Birdman the gargantuan triumph it is. Not to mention some of the transitions and dolly shots are just damn impressive. Even though many movies are yet to come out this pre-Oscar season, I feel it is safe to say no other casting ensemble will come close to the performances given in Birdman. Michael Keaton, Zach Galifianakis, Emma Stone, Ed Norton, Amy Ryan, and every single other actor in the production execute their roles with professionalism that most movies are lucky to see in just one of their actors. Each actor didn't wait for their time to shine to pull out the big guns; every moment of screen time was utilized to its full potential. There isn't a second where the audience's immersion is broken by an awkwardly delivered line or a slightly out-of-place facial expressions or emotion. The only criticism I have about the film is that more aren't like it. A smart, satirical movie that is capable of criticizing without being hypocritical is unfortunately rare. However, it's rather nice to have movies like this stand out from the crowd instead of being the norm, because the relative quality only makes them that much better. So, in short, I implore you. I beg you. If you step into a movie theater once this year, let it be to watch this film. It deserves your attention.
Alejandro is the Real Deal
This movie really touch my soul in very different ways, I was laughing and crying at the same time when I was watching it. Alejandro's clean smooth directing really states a new canon in the way a movie is conducted, I was blown away with Michael Keaton's perfect performance and the rest of the cast did well around him. I had never seen this kind of genre called "Magical realism" as well as in this movie, it really submerge you inside the head of the main character and the brilliant drum-based score helps to explain the situation by the minute. I am very happy with the Oscars won by Alejandro (well deserved) especially because I am Mexican too. I know that this kind of movie is not for everyone, some people said that it is boring, pretentious, over-the- top, strange, difficult to understand, hideous. But let me tell you this movie is fascinating, touching, funny, sad, eloquent, fantastic and dramatic. I liked very much how it makes fun of big-budget summer-blockbusters hero-movies which easily Alejandro will have done if he had wanted but no, he preferred an artistic low budget movie that make you feel instead of make you eat popcorn.
Excellent actors in search of a good story
I left feeling that I had wasted two hours of my life, and I'm not the type who watches pop features like Rocky XVII. I enjoy the art house genre that this clearly belongs to. I don't know if this is a spoiler alert or not, but if you're waiting for the moment when the loose ends are all tied together in any coherent manner, you will be waiting in vain. That said, Michael Keaton and the cast give wonderful if sometimes overacted performances. You can see why critics like it - it's not the pap that they are forced to view day in and day out because it's their job to watch it. Professional critics, for their own sanity, grasp at any opportunity to promote something different or unusual. But just because it's good for them doesn't make it good for us, the casual movie goer. Since this is a play within a movie that is set in a theater, I got the feeling that there are inside jokes that those in or familiar with the business (such as critics) will get but which is over the heads the audience.