SYNOPSICS
Before Sunset (2004) is a English,French movie. Richard Linklater has directed this movie. Ethan Hawke,Julie Delpy,Vernon Dobtcheff,Louise Lemoine Torrès are the starring of this movie. It was released in 2004. Before Sunset (2004) is considered one of the best Drama,Romance movie in India and around the world.
Early thirty-something American Jesse Wallace is in a Paris bookstore, the last stop on a tour to promote his best selling book, This Time. Although he is vague to reporters about the source material for the book, it is about his chance encounter nine years earlier on June 15-16, 1994 with a Parisienne named Celine, and the memorable and romantic day and evening they spent together in Vienna. At the end of their encounter at the Vienna train station, which is also how the book ends, they, not providing contact information to the other, vowed to meet each other again in exactly six months at that very spot. As the media scrum at the bookstore nears its conclusion, Jesse spots Celine in the crowd, she who only found out about the book when she earlier saw his photograph promoting this public appearance. Much like their previous encounter, Jesse and Celine, who is now an environmental activist, decide to spend time together until he is supposed to catch his flight back to New York, this ...
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Before Sunset (2004) Reviews
Absolutely fantastic. Easily the best film of the year.
There are four scenes that I will treasure forever: 1) The ferry ride, and the subtle ways you can tell they're both heartbroken, lonely, frustrated and angry. The way she discusses the "little details" that compose a person, and what she missed most in him. "Like I remember the way your beard has a bit of red it in, and how the sun was making it glow that...that morning right before you left." 2) The scene in the van, where they finally unburden themselves. One of the most emotionally raw and honest interplays I've seen on celluloid. The way she reaches out to touch him, but holds back at the last second. Much different in tone from the way Hawke reached out to brush her hair aside in the first film. 3) Celine's song. So simple yet so endearing. The way her voice fades to a whisper as she sings, "My heart will be yours until I die." 4) The ending, which is in all ways **PERFECT**. The slow fade, the utter charm of her Nina Simone impression, the ambiguity, and the wonderful look in his eyes as his youth, hope and happiness come rushing back to him while watching Celine dancing and singing (foreshadowed in the opening scene). This is, perhaps, one of the ten best endings in the cinema. Hawke and Delpy are sublime, of course. This film requires incredibly subtle acting, and these are Oscar worthy performances that will not be recognized because they are not showy. Much of this film, like life, is acted with the eyes. Witness how Hawke stares at Delpy as she discusses her failed relationships on the ferry, or the sadness and longing in Delpy's eyes as she sings her love song. As in the first film, the chemistry between them is indelible. My candidate for best on-screen couple ever. This film is better than the first, because it provides a more unique perspective. In Sunset, we see the sobering effects of age and disappointment etched in their faces and clouding their lives. There is more at stake here, for they are nine years older, have made their share of mistakes, feel imprisoned by responsibilities, and must confront their shortcomings and problems. It's comforting to believe that hope and love will prevail in their case.
The only problem...
...is that it ends. This is a fantastic film. It joins the handful of movies where I think I liked the sequel even more than the original, although I liked 'Before Sunrise' as well. Where Sunrise captured the immediacy and urgency of perfect youthful love, Sunset reflects beautifully on the aftermath of that perfection. I remember a line that says "nothing that is complete breathes", and I think that is what we see in this film. A perfect connection with another human is a blessing and a curse; having experienced perfection a part of us stops breathing, unable or unwilling to mar the perfection of that memory. The dialogue is amazing, the acting is spot-on; this is a great film. In some ways it felt more like reading a great novel than watching a movie, in that I really felt like I knew the characters and was sad the movie had to end. Kind of like saying goodbye to an old friend. If you are an action movie kind of person, skip this flick because it will bore you to tears. If, on the other hand, you like good dialogue, well formed characters, and aren't quite jaded enough to have given up completely on the idea of true love, don't miss this film.
How do you make a sequel to "Before Sunrise"? This is how.
I'd been longing to see this one as I'd always thought 'Before Sunrise' was one of the most honest, most real films I'd ever seen, but at the same time I held off seeing the sequel from fear of disappointment. For all of you in the same position, fear not ; Linklater, Hawke and Delphy (for it has surely been a joint effort and labour of love for all three) have done us and themselves proud. I've just seen the film and despite being male and 38 I feel like Roberta Flack must have felt when she penned 'Killing me Softly' after hearing Don McLean sing 'Vincent' in concert; this is - once again - just so close to what it's all about. You want technicalities? The acting, superb; Hawke and Delphy slip right back into their characters, their mannerisms, their sometimes gauche repartee, the way they seem to fence around each other, seeming to go in for the kill then feigning, drawing back Exquisite. And then the details, the echoes of the first film in the settings but now with a world-weariness, an autumnal note and yet with still that fundamental freshness and optimism that revives the memories of Sunrise's youthfulness and reminds us, as our heroes discuss, that though time changes people, there remains an unchanging core. Just see it; this is about as good as it gets, folks.
So Little Time, So Much Love.
Before Sunset is one of those movies, you either love, or you hate. Personally, I loved it. Now, I recommend watching "Before Sunrise" first, however it isn't necessary. Before Sunset does a good job of reviewing what had happened, therefore if you decide to watch it Before watching "Sunrise" you have nothing to worry about. Some scenes are extremely well done. The characters are picture perfect, and the movie itself, is breathtaking. The aura of the movie is so spectacular, that it will inspire young directors out there, to pick up their video cameras are start filming. An 80 minute movie, about two lovable characters and what they have to say, may sound boring. But the way it's done in Before Sunset, will sweep this impression right off your feet. Julie and Ethan play two of the most honest and true characters I have ever seen, they are known as Jesse and Celine. And while much of the credit must go to the characters themselves, you musn't forget the actor and actress who played them. Julie is perfect as Celine. The young french actress is so natural in front of the camera. Definitely, has potential. Ethan is also very very honest, he seems so comfortable character that that you forget your watching a movie, and not a home-made video. Both play with such honest expression, and such trueness, that they are so natural, Before Sunset becomes no longer a movie. It feels as if you are eavesdropping on two extremely developed people. It's such an intimate environment, that you never want to leave. Before Sunset... 9.901/10*****
issues Before Sunset brings up
I suspect that Before Sunset is getting such mixed reviews because it will mean very little to viewers who have not reached the stage of life portrayed in it. To my mind, this is not a romance. Rather, it's a very frank look at how we end up with life partners. For that reason, it is an important film for twentysomethings to see and is a gift to them from Linklater, Hawke, and Delpy. SPOILERS FOLLOW: The death of Celine's grandmother brings up two issues: the role of chance and that of our responsibilities to ourselves. Jesse knows Celine missed their planned meeting in Vienna because her grandmother died. But this does not prevent his pained question on the boat, something to the effect of 'Why weren't you there?' He is referring to rotten luck, the dark side of fate that is capable of robbing us of what we most desire. What were the odds that her grandmother would have died within those few days? Tiny. But it led to them not meeting again. However, Celine still chose to not meet Jesse. Yes, her family may not have understood had she skipped the funeral. But life is for the living, and her grandmother wouldn't have known if she hadn't been there. So Celine must take responsibility for the fact that their lives didn't include each other. Another precious dialog occurs when they discuss why they didn't exchange addresses or phone numbers nine years ago. Celine says it was because they were young and overly optimistic and assumed they'd meet plenty of people with whom they would connect equally well. Are the twentysomethings listening? Celine expresses a problem many face when she explains why she prefers to have a boyfriend who is away much of the time: she feels suffocated when he is around too long. But she has been depressed since reading Jesse's book because she misses the kind of total intimacy they briefly shared and realizes there is no easy solution to this dilemma. One cannot simultaneously be intimate and distant, and all relationships involve finding a compromise. Jesse's marriage is an ordinary one. He married his wife because she was smart, pretty, and pregnant, and marriage is about commitment. But even on his way to the church he was thinking of Celine. Are we being warned of the danger of staying in a mediocre relationship? He says his wife and he are now like coworkers in a preschool, a description that will ring true with many viewers. So is the lesson that you should throw caution to the wind and sacrifice all for someone who thrills your heart for a day? Before Sunset offers no such easy solution, as Jesse and Celine admit they may have discovered they didn't like each other after all. As I see it, the primary role of film is to give voice to emotions and aspects of life we all know to be true but are not acceptable to discuss in polite society. In this regard Before Sunset excels. I can't help but think that when Linklater, Hawke, and Delpy decided to do this brief film it was not about profit at all-they simply had some things they thought people should hear, and this was their gift to the public.