SYNOPSICS
Bang Bang You're Dead (2002) is a English movie. Guy Ferland has directed this movie. Tom Cavanagh,Ben Foster,Randy Harrison,Janel Moloney are the starring of this movie. It was released in 2002. Bang Bang You're Dead (2002) is considered one of the best Crime,Drama,Thriller movie in India and around the world.
For the most part it's a tale of an adolescent, Trevor, who gets picked on a lot at school. Not as much as he used to, because the year before he called in a phony bomb threat, complete with a working bomb (minus anything that would actually explode). Because of this, parents and teachers are afraid of him, and his fellow students generally avoid him, except for a group of outcasts called the "Trogs". As violence by the Jocks against the Trogs escalates, Trevor is the suspect for anything gone wrong, even though he didn't necessarily do anything. One teacher is willing to give Trevor the benefit of the doubt, and casts him in a highly controversial play about (what else?) school shootings. It all comes to a head as some other students create a plan to bring guns to school and kill everyone in the cafeteria.
Same Actors
Same Director
Bang Bang You're Dead (2002) Reviews
Wonderfully compelling
I just saw this movie at the Seattle International Film Festival. This wonderful film honestly explores the factors that lead teenagers to become violent. Seeing the experience of high school culture through Trevor's eyes really makes you understand what could bring a teenager to kill his/her classmates. This film vividly portrays how high school culture has gotten out of hand during the past 20 years, and also shows how complex the problem is. The blame is never placed entirely on one party (i.e. the parent, school administrators, fellow classmates). Instead, the film remains honest to subject matter, and does not provide any easy answers or solutions. Is this movie unsettling? Yes. Brilliantly executed? Yes. Exploitative and simplistic? No. This is a film that should be seen in every high school classroom, every faculty meeting, and every home. On a side note, the acting was fantastic by everyone involved. Most notable was Ben Foster, who portrays Trevor with both brutal honesty and heartfelt compassion. He is one to keep on eye on in the future.
Shining A Light Into A Dark Corner
Most films seek to entertain. This one seeks to educate. The subject here is education itself, specifically American high schools, with their exclusionary social cliques, peer pressure, disgusting hierarchical caste systems, and the inevitable toll that these harsh realities take on students, in the form of depression, anger, and violence. The film is fictional, but it presents truths that exist most everywhere, to varying degrees. The message could hardly be clearer or more timely. And that message is that for kids, high school functions as an emotional and psychological ... trap. But if high school is a trap for kids, it's a source of income for teachers and administrators, some of whom thus have selfish motives for preserving the status quo. And for parents, their kid's high school is useful to gauge their parenting skills which they hope will lead to a sense of pride of accomplishment ... for themselves. In no part of high school life is this pressure more apparent than in school sports, and the film rightly zeros in on this culture. For boys, athletic accomplishment or non-accomplishment is the main, perhaps only, criterion by which they are judged and stamped, and sent on their way to fend for themselves in a society that demands competitive performance. "Bang, Bang, You're Dead" is a clear, compelling story that shines a needed light into a dark corner of American society. The film should be required viewing for teachers, administrators, and parents. But it won't be required viewing, because a lot of adults would just as soon keep that light turned off.
one last shot
It's great to see a movie you think is going to be just awful ... and then is anything but. The film amazed me by taking the issues of high school kids seriously, even those of kids who are about to commit the worst carnage imaginable. One of the best ways of perpetuating a problem is turning those affected by it and those who do bad things into angels and devils. Bang, Bang, You're Dead rejects this out of hand and gives everything a shade of grey, yet moves back, forgivably, from the logical climax to make a point about the theatricality of school life, much like the play on which it is sort-of-based. It takes troubled kids out to kill seriously, gives them respect and tries to talk to them - and lets them talk, a lot. It is also a genuine drama, and takes no prisoners when it comes to depicting adult hypocrisy and aloofness. That's pretty subversive. Put it all together and you have a ready-made whipping boy for America's right wing. Yet it is this film that anybody who gives a damn about this kind of situation must see. This makes it sound like a 1950s advisory film where parents and kids would watch what horrible consequences befell reckless teenagers. But it's much more than that: it's a cunning advisory film for everyone. Nobody comes out clean, but everybody is given the chance to become clean again. The MPAA gave this an R rating, which is further proof that this pathetic star chamber of industry insiders ought to be disbanded.
Hard Hitting, Intense Film
This film tackles the eternal issue of growing up a teenager and the extreme reactionary responses we see growing at an alarming rate in our contemporary times. Some of the events in this movie could easily have been plucked from the headlines of the newspapers in recent years. It does an excellent job of tacking the touch issues of adolescence, guns in schools, and school administrators being completely oblivious to what is really going on in their hallways. With an intense lead performance by Ben Foster, as the singled out teen, and Thomas Cavanagh, as the teacher trying to get through to both the school administration and its students, the story propels you through a whirlwind series of events over the course of a school year. The theme of the story is very dark and powerful painting a picture of the worst case possible scenario public school; which in my opinion may be closer to the truth then people want to really admit, making the story that much more believable. I really feel that this is a film to be watched and appreciated because, unless you're in total denial, it's going to make you think more about the ideas and issues that inspired it. This is a movie for all to watch. Everybody goes to high school.
Immensely true to life.
I went back and watched this movie again, and it struck me all over just how real it feels. The performances are so perfectly spot-on that you could swear you know these people--what could have been a string of cliches or platitudes was instead carefully detailed to look like real life. I've rarely seen anything in the theater or on television that struck so very close to home. What makes it all so effective is that absolutely no one comes across as unsympathetic--not the jocks, not the outcasts, not the parents, not the teachers, not anyone. The casting was that sublime. The mains among the young cast are the most impressive group of actors and actresses I've seen in my generation. The older members of the cast are so good I can't believe I hadn't seen them somewhere before. Even the minor characters make an impression and have a bit of flesh to them. You may not like some of these people, you may be angry at them, but you will see where they went astray and understand. No one seems entirely wrong or right, and that's what makes it so unrelentingly human. Despite having been a girl and not facing many of the physical tortures portrayed in the film, the sense of humiliation and utter isolation resonates very closely with my own grade school experience. If you weren't ever in that place, if you were popular or normal in school, you may watch this film and think the suffering within was exaggerated, that no one really goes through that... let me tell you, it's not an exaggeration. You may feel like it's normal for kids to get teased, and maybe it is... but there's a tremendous difference between getting teased by your friends and getting messed with because you're regarded by the general population as a thing. You can't make friends when everyone is afraid that hanging around you will cause them to be exposed to the kind of ridicule and torment that you're going through. You have no one to tell, your parents don't understand, you are completely alone in your world, and it feels like that will never change. Every moment of every day is spent waiting for the next gallon of gasoline to be thrown on the flames of your living hell. No, it doesn't look that bad when you're on the outside... it's just somebody getting shoved or laughed at or whispered about. But when it's you actually going through it, you end up either wanting to die or wanting to kill someone. That's exactly what this movie addresses--what leads a young person to that place. If everyone around refuses to empathize and understand, tragedy is the almost inevitable result.