SYNOPSICS
Kirot (2009) is a Hebrew,Russian,English movie. Danny Lerner has directed this movie. Olga Kurylenko,Ninet Tayeb,Henry David,Vladimir Friedman are the starring of this movie. It was released in 2009. Kirot (2009) is considered one of the best Action,Drama,Thriller movie in India and around the world.
In an old apartment building on the wrong side of the tracks, two women, unknown to each other, live across the hall on the second floor. Galia is an assassin involved against her will with the local sex-traffic mafia. All she wants is to reunite with her little daughter that she left back home in Ukraine. Eleanor is a grocery store cashier and a battered wife. She dreams of winning the lottery and running away from her abusive husband. Galia and Eleanor don't know each other, but as neighbors they share two things: an adjoining wall and a strong need to plan their escape. As Galia disobeys her latest contract, a woman target, and Eleanor discovers that she's pregnant, the two women decide to take action against their oppressors in a fight for survival and freedom.
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Kirot (2009) Reviews
Gritty and well-done
Galia is a Ukrainian prostitute stuck in Israel. Things get even worse when she is forced to carry assassinations for the criminals to which she is property. All day long, Galia does nothing but stay in her apartment, waiting for hit assignments. Eventually, she strikes a friendship with her neighbour, Elinor, who is herself victim of an abusive husband. This movie combines several cliché elements yet delivers them in a captivating way and puts some real heart in what could easily have been another run-of-the-mill thriller. There's a definite Besson influence here, particularly elements of "Nikita" and "The Professional". Director Danny Lerner focuses on these two women, particularly Galia, and paints an ugly picture of a world where women are still basically "property". Alhough Galia carries cold, calculating hits like a pro, she turns into an obedient girl when facing her "bosses" and gets slapped around. As a viewer, it's tough not to cringe. Another interesting aspect as a North Anerican was the Israelian setting and the exploration of different cultures, since Galia herself is an outsider. Ninette Tayeb is really solid as Elinor but it is Olga Kurylenko who really shines here. Other movies that she was featured in showed an actress with potential and here, she realizes much of it. In most scenes, she is very believable and the role is rather demanding as Olga shifts from recluse to opening to Elinor and from a fragile woman to a cold hearted killer. The script helps but the whole story depends on Kurylenko's ability to draw us in and make us understand when words are lacking. The finale is thrilling enough and fans of "Carlito's Way" will see a nice nudge to this film's own finale as a bunch of crooks pursue Olga and Elinor in a terminal station. Much like Besson, Lerner has crafted a movie that mixes the grittiness of an old school Scorcese with the more naive vibe of a classic Hollywood flick. The result is a solid thriller with an international flavor and a great cast.
Compelling, gutsy glimpse, with a unique twist, into the dark world of human trafficking, the mob and so on- incredibly well done
For anyone even mildly interested in this genre' of drama, this film is smartly done, intelligent, absolutely well crafted . . . could not have been done better. It's not just the dark and murky world of human trafficking, the mob and all that mixed into the interesting backdrop of this piece, but also the amazingly well articulated relationship that evolves between the two central female characters. The ending is a bit rough, as in it's gut wrenching and then some, but the entire story moves along at a pace that makes every scene count for its maximum potential value. As for Olga, who co-stars in the leading role . . . what can I say? She is seriously smoking hot, and in her own unique way, delivers her character like no other actress possibly could. This film may not be for everyone, but for those who can connect to this genre' of story and filmcraft, it's beautiful, harsh, and tragic all at the same time, hits every button that can be imagined in such context. This is a work of art . . . well done. 10+ in my book.
Awesome for an Israeli movie!
who ever thinks that the story is unrealistic, is not familiar with the Russian immigrant's life in Israel. Some of them come from Russia as teachers and then, end up as security guards and even prostitutes, just because of the Language difficulties. this movie performs the relationship between two women who gets hit and beaten by men who has power over them. It shows both their struggle and confrontations with the men in the movie, and their special connection. And that's the reason why I like this movie, it showed how much they both hated their jobs and their lives and how much they are the same. So, yeah, it's not a Hollywood made movie, it doesn't have great action like most thrillers ,it's not brilliant or close, but it does have good drama, good acting, good shots (in my opinion) and good story ,that I've already said. I'm Recommending it...
Right step in the wrong direction
Being familiar with Israeli cinema and hating it, I have to say that I welcomed the idea of this movie when it was announced. Among tearful melodramas, unnecessary and unfair political films, boring war pictures and idiotic romantic dramas, Kirot stood, at first, as the refreshing example of the much needed genre cinema in Israeli film industry. Just imagine following pitch: sexy Ukrainian woman is forced to work as a prostitute after being threatened and violently beaten. Then she gets a gun and forced to become an assassin, also becomes involved in a lesbian relationship with her neighbor. But when she is given an assignment that she doesn't like, she rises against her abusers and her former pimps in old fashion bloody revenge. Sounds great, isn't it. Juicy, violent and gory exploitation flick in potential. In some places such idea could turn out to be "Thriller: A Cruel Picture", in others it could turn to be ""Female Prisoner #701: Scorpion", even "Kill Bill", but for some reason in Israel it turned out to be "Kirot", which is more an insult than a compliment. So maybe no one actually intended to make an exploitation flick here (and really why not?), but this is besides the point. The movie "Kirot" is a pale shadow of any good expectations I've had about the film. Instead of daring plot, bold direction and uncompromising violence all we got here is a boring story with carton characters without any ability to be liked, crude and dull direction, forceful and artificial manipulation on the viewer, and finally many rip offs and little imagination. And although camera work is somewhat innovative, sometimes even very nice (single shots), it feels disconnected and pointless in connection to the movie itself. Because every part should work together, here each part is pulling to a different direction. Lerner is not a good director and even worse screenwriter. His rise as the next big thing in Israeli cinema is not surprising, because he is not representing anything new, only an upgrade of the old. You can imagine how bad the old school is if even the younger upgrade still fails where the majority of world cinema succeeds for many years. A viewer should not spend his time justifying narrative flaws and implausible events, viewer should not be forced to feel sorry for a female character for a sole reason of her being abused by a man, and a viewer should not have only that feeling alone towards her. Seriously, for each character in this film you can only have one single emotion, so underdeveloped and caricature they are. It's like being back in kindergarten when they said to you - "a cow goes moo", because this is the only thing she goes. Instead of telling a story, defining the characters by their actions, Lerner decides it is time to play very sad piano music while showing the heroine walking on the street and crying, for like 3 minutes. Then to show the depth of her inner desires, wishes and hopes he shows her painting a sad picture on the wall with black colors. So sad (wiping tears). Instead of showing characters trying to deal with the world around them, he shows them escaping it. Instead of showing some kind of character development, because people do change under harsh conditions of reality, he decides that his characters will remain the same, keeping same faces, same attitude, same problems, same idiotic ideals. The characters are stuck in their private hell, each one of them, without any ability to evolve and change. And maybe that was the point of the movie, but doing stupid things intentionally doesn't make them smart. Which illustrates my point exactly - Israeli filmmakers are simply unable to change, unable to adapt themselves to the current world of film goers and filmmakers. All the talking about new approach, new style, are false statements from someone who doesn't understand what does it mean to be different and innovative. Same all drama, same old forced tears, same old unconvincing conflicts and same old dramatic weaknesses. Looking for a new path, a fresh start, a new wave in Israeli cinema is still not dead, but it sure will not start with 'Kirot' or Lerner. I am still looking for a day when Israeli filmmakers will not act like homeless beggars, going to film festivals just to collect their season donations. Still looking for a day an Israeli movie will be actually remembered one year after its release, or at least will have more than one comments page on IMDb board. When announcing the film production Lerner said that the movie will be about two chicks and lots of guns. Far from the truth. More like a depressing love story about people accepting their fate and unable to change. How very relevant in that area of the world.
Nice try
-- Review contains spoilers I liked the actors,I hated the story and music. The movie has some really powerful scenes, in which we get a glimpse of the real human trafficking. The story is beyond stupidity: A runaway mother from her mentally retarded child, which somehow is sold as a sex-slave in Israel, reached to become a bad ass assassin which kills all her owners + bodyguards and become friends with a sexy husband abused woman. The action, is not really good and frankly the Hollywood stereotype of spaghetti arms assassins, it's getting boring. Actually the only good scenes are the ones where the girls talk and when we see some European human trafficker mentality towards his salves.