Buried (2010) Reviews

• Terrific, ultra claustrophobic suspense nightmare

  Bloodwank2010-09-02

  Buried is a film that keeps things deadly simple, one character, one location and a one line but horribly inspired plot, those looking for flashy visuals or big action should turn far, far away from this one. It's worth noting though that the film is well directed and photographed, director Rodrigo Cortes has a nimble eye for visuals and angles to keep things visually interesting, while cinematographer Eduard Grau gets the best out of the mere two light sources to make the experience a frighteningly vivid one. The plot sees Ryan Reynolds waking up in a coffin, with nothing more than a cell-phone and his lighter to help him out, things develop through his series of fraught, occasionally bleakly amusing and increasingly desperate communications with the outside world. Its rather interesting to see a film so based around interactions on a mobile phone, devices so often objects of fear, suspicion, or in the case of some horror films and of course the cinematic experience for the viewer, irritations. Here every ring is crucial, the battery bar is nail-biting, even the light of the screen is important. For me, just as interesting was the choice of lead. I've never had time for Ryan Reynolds, a face from some of the worst in lowbrow comedy and someone I never expected to appreciate breaking through into not just serious film but something as bold in its structure as this. A lot of people are likely to dislike the film on a fundamental level, but Reynolds gives the performance of his life here, running through a rainbow of emotions, angry, sarcastic and terrified are but a few. Compelling and sympathetic, likely physically arduous too (though I'd don't know how the film was made it must have been tough, barring serious trickery) he holds the film wonderfully. The script is of course of utmost importance too, and writer Chris Sparling does mostly terrific work. An ordinary man reacting as best he can to a nightmare, drawing on the sort of resourcefulness he probably hoped he'd never need, occasionally breaking down but keeping ploughing on, shades of dark humour in the protagonist's travails on the phone, its endlessly interesting and as time goes on, nail-bitingly suspenseful. I had minor issues with realism in the film, and there was at least one interesting little aside that could have been developed a bit more, but overall this is a great achievement. It surely won't appeal to everyone and my rating might seem generous, but for doing this well on such a risky concept, and putting together a suspenser that remains thought provoking after, a 9/10 from me.

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• An endless thrill ride, with one main actor.

  shreke20032010-08-15

  I caught this gem at Sundance earlier in the year. It was part of the 'Park City at midnight' group of films, which showcased horror and thriller movies, and played them at, can you guess? Midnight. I saw Buried on the last night of the festival, Ryan Reynolds wasn't there, but both the director and writer were. It was a small theater on Main street, very artsy in it's look. But once the film started I had eyes only for the screen. It starts off with Ryan waking up, trapped in a box. A long box, the length of a human body, buried deep beneath the ground. From there the film plays out in an awe inspiring way, especially seeing as there's only so much you can reveal from one location. The way Rodrigo Cortes handled the filming is truly exceptional. From the start the camera switches between closely claustrophobic, and flying high above Ryan, showing the box with him inside and black all around. It's constantly on the move just like our main character's thoughts. Diving in when the action is intense, and then cutting to black when you don't think you can take any more. The pacing and plot of the film were nothing short of genius. And Chris Sparling, the writer, should be commended for his work. He said after the showing, that after having his scripts rejected for their cost of locations he decided to go for a cheep but genius idea. One location, one star, and a wealth of idea's. It makes a film like 'Salt' look like a giant waste of resources, when Buried does what even some of the best thrillers can't do, it brings us inside the character's head, and does it all without a romp through the city, or blowing things up. If you're one of those people who loves to sit on the edge of your seat, chewing at your fingernails, while you're constantly asking yourself what's going to happen next. Then by all means watch Buried, and consider yourself lucky that you're not in his shoes...

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• A triumph in minimalist filmmaking

  KnightsofNi112011-01-26

  I hate it when fantastic movies such as this get completely overlooked when it comes time for awards to be handed out. Buried is a triumph in minimalist filmmaking and is a heart wrenchingly intense movie experience. It is gripping, moving, frustrating, and terrifying. Oh yeah, and it all takes place inside a box. Paul Conroy, who is played by Ryan Reynolds and is the only character in the movie we actually see, wakes up in a coffin buried under the ground with no idea how he got there or who put him there. He shortly finds out that he is being held by ransom by a group of terrorists in Iraq. With only a pen, a flask, a cell phone, and only 90 minutes of oxygen, Paul has to act fast. The movie limits itself to an astounding extent, but makes the most out of what it has, creating an incredibly thrilling experience. How much can you really expect from a movie that takes place in a human sized box with only one person? Buried delivers a lot more than you would expect from this scenario. It has all the right elements to make it as enthralling as any action film we see today. To start off, Rodrigo Cortes does a great job directing his limited space. He miraculously pulls off a lot of great shots and brilliant claustrophobic nuances. He directs with enough skill to keep the movie interesting in its entirety. The movie never felt lagged or drawn out and every moment where it would have slowed down it would throw a great twist or shocking moment that drew you right back in. Furthermore, the director does a lot of great artistic work with what little he to work with. We have to take into consideration the fact that when you are buried underground in a coffin, there is obviously zero light. Thankfully Paul has various light sources with him in the coffin. And so to keep from breaking the realism of the film, these light sources are the only light in the film, making sure all light is authentic. Paul's light sources include a lighter, a flashlight, a cell phone, and a green glow stick. Each of these light sources gives off a different color, and these colors which obviously encompass everything when they are present add to and reflect the mood of the film. When things are calmer (relatively of course) we are treated to the soft blue light of the cell phone. As things grow more suspenseful and harrowing we are treated to scenes lit by the green glow stick. And when things grow more sinister the red lens of the flashlight is used. I found these minute details fascinating and they artistically added a lot to a film which had little room to work with. While Cortes' directing gives the film plenty of life, Ryan Reynold's stalwart performance really drives the emotion of the film. He delivers a top notch performance, and he as to seeing as he is the only character in the film other than the various people he talks to on the phone which we never actually see. It can't be easy to carry a film all by yourself, but this year we were treated to two performances that did a superb job at it, the other of course being James Franco in 127 Hours. Buried is a film that Alfred Hitchcock would have been proud of. It is a groundbreaking thriller that does so much with so little. It is such a harrowing movie experience that you cannot forget. All 90 minutes of this film are fascinating and gripping, especially the last fifteen. The final moments of the film are some of the most captivating and enthralling moments I've ever experienced through film. During the finale of the film you will want nothing more than to know the fate of Paul Conroy, and when you finally do learn his fate at the close of the film your jaw will drop and you will be utterly blown away by such a captivating on screen experience.

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• Outstanding

  klesker2010-10-04

  If this doesn't remain in my top five come year-end I will be shocked. Who thought that a movie can not only sustain a full 90mins stuck within the confines of a coffin (and believe me, it doesn't leave the coffin) but that it would be one of the most cinematic and audacious pieces of cinema I've seen in a good few years? Like this year's Inception and Toy Story 3, movies like Buried are the reason I love cinema. It is escapism at it's best, ironic considering the setting. Who thought Ryan Reynolds, Van Wilder: Party Liaison himself could be so utterly mesmerising in such a challenging role? The movie is literally his. Sure, there are those he speaks to over the phone (he's buried with a Zippo and a Blackberry) but for the film's length, he is the only physical presence on screen. He goes through every emotion possible: fear, panic, anger, sadness, happiness, depression, acceptance, and all of it played so convincingly that you almost wonder whether they genuinely buried the actor and left a camera in there with him. There are minor gripes, all predominantly found in the first half. It feels somewhat episodic at times and there's a lack of any real tension during the first forty minutes but this is a pressure cooker of a film and the last half is unrelenting to the point of nausea, culminating in a truly great finale that caused me to shout-out in the quiet, near empty cinema. Buried is extraordinary. The only performance to beat Reynolds' in recent years is Sam Rockwell's stunning turn in Moon. High concept thrillers like this rise or fall on the delivery of their challenging set ups. Fortunately, Buried works. It really, really works.

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• claustrophobic and thought provoking

  leonasunflower19782010-10-01

  I wasn't expecting this film to be set entirely within a coffin and nor was I expecting Ryan Reynolds to be much good. As it turned out I was wrong on both counts! Brief summary:Ryan is a contract driver in Iraq whose vehicle is attacked by Iraqis. He wakes up in a coffin buried underground with a few "helpful" tools...and so ensues a claustrophobic, frustrating and scary journey for both the character and the audience! I found Ryan's performance quite compelling and was almost living the experience with him, I even found myself holding my breath at times and feeling quite panicky! The fact that you can't see what is going on above ground adds to the tension and you are never quite sure what to believe. I also found this a thought provoking film on another level. It's very easy to immediately dismiss the hostage takers as "the baddies" but I think this is a very shallow and naive view of human nature. It made me think, that transcending race, religion and nationality, what would any human be capable of doing in the their situation. These are sometimes hard working law abiding people who have seen their country torn apart by war, who have seen their children dying and who no longer have any other way of making money, and who see the Americans as to blame for this....not that I want to sound like I was on their side at all or that I condone it in any way, which I don't, but I found this film a very interesting study into human survival instinct and desperation. A very good film, probably the best thing out at the moment, along with The Town, and definitely worth the ticket price. And to the reviewer that felt this was a 95 minute terrorist propaganda movie, shame on you! You clearly misunderstood the entire film!

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